A Quote by Orianthi

I want to collaborate with different artists. — © Orianthi
I want to collaborate with different artists.
I collaborate with Tidal because they're for the artists - the up and coming artists and the O.G.s in the game. It's like a home, the only place we have for the artists to find support.
It's interesting that a lot of female artists want to collaborate with me.
Now what I like is that other artists know my work and are interested in me or want to collaborate.
I think it's what the times are demanding. If you're talking about the popular artists, they collaborate with a lot of different people and it seems to be in vogue now. It probably is indicative of the times.
I didn't want to just work within Hollywood when I started a production company. I wanted to be able to collaborate with great artists from all over the world.
What's good about many people liking the work is that when I want to collaborate or am interested in the synergy of artists working together, nobody ever says no to me when I ask to work with them.
We're always honored and excited to collaborate with other artists.
I'd love to collaborate with Frank Ocean. He's one of my favorite artists of all time.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
As a general rule, I tend to collaborate with artists whose work I admire.
I want to collaborate with me 'cause I've done so many collaborations that after a certain point unless you're really working with a certain caliber of an artist, there's no point [to collaborate].
I want different songs and different artists as I listen to the radio.
I don't know what's in store for me, but I know that I want to create work, and I want to create an environment where I can bring in my favorite people and collaborate with them, and do something that is so much weirder and so different from what you'd see in commercial film.
I love to collaborate with artists, like Guy Bourdin and Steven Klein, who don't have any boundaries.
It is nice to be out there, amongst contemporaries on a global scale. You meet different people, see different things, meet different producers, eventually grow to collaborate in different ways. The world is getting smaller. It's nice not to be insular.
You can always get something cool out of a collaboration - you can always have a moment - but meeting someone that you want to collaborate with continuously, that's a different thing.
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