A Quote by Orlando Bloom

When I was filming, I imagined that Legolas was a meditative character who was very thoughtful and had a certain amount of depth to him. I started working on trying to find this focus that Legolas has, which wasn't really like me.
Legolas is fantastic to dress up in - of course he is - and I've had the best time playing him.
The toughest part of acting is never a single thing. It's more like a whole character. I find film really difficult - trying to make it feel like a consistent character when you're filming everything out of order.
I mean, I have a great job. I get to dress up and become somebody else, especially when it's someone like Legolas, who's this super-cool kind of otherworldly elf. It's, like, I'm lucky, man, so why would I not appreciate that?
Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.
I think Robert Altman could see things in me that I didn't know I possessed, which is really exciting. He also instilled a tremendous amount of confidence, because he would say things like, "These are the bare bones, but I want you to go fill it out. You find the character. You bring it to me. You write whatever you want." And if you had an idea, he wouldn't want to hear about it. He's want you to show it to him.
Legolas in 'Lord Of The Rings' was sent as a bridge from his people into the world of dwarves and humans and wizards and everything else.
It sounds blase but there is a certain amount of luck. We'd all like to take a certain amount of credit for Kevin Doyle... I can't really remember what it was I particularly liked about Kevin when I watched him in Ireland. I had five pints of Guinness in the afternoon and it was all a bit blurred.
Yes, they are elves," Legolas said. "and they say that you breathe so loud they could shoot you in the dark." Sam hastily covered his mouth.
Elves have this superhuman strength, yet they're so graceful. Tolkien created them to be angelic spirits, but I also saw Legolas as something out of the Seven Samurai.
I had very good LSD, but the problem was - I tried making a film, or doing some filming, when I was on LSD, and it's impossible. I couldn't focus. I tried focusing, but when I looked through the lens, I'd see all different layers of focus, and I couldn't find which was the real one behind the camera. And I just thought, this does not work, and I never tried that again.
A character like Baahubali required a preparation that I had to undergo mentally and physically - from undertaking a strict routine and a lifestyle, which helped me become the character physically, to knowing the character's depth and a lot more.
Legolas is that kind of action elf who pouts a bit, stares off to the distance, and has a couple hero moments, killing with a lethal bow and arrow along the way.
It wasn't like this happy-go-lucky experience, shooting Norman movie. It was something I kind of had to, sort of dedicate a certain level of focus and energy to kind of just stay in this headspace that would allow me to access - because it's also a very emotional movie at times. This was the first time I ever played a real character, a fully fleshed out, dimensionalized, multi-faceted character, as opposed to a part. There's not very much opportunity for somebody of my age and my look, so for a character-driven piece like this to come along is a rare thing.
But you comfort me, Gimli, I'm glad to have you standing nigh with your stout legs and your hard axe. I wish there were more of your kin among us. But even more would I give for a hundred good archers of Mirkwood." - Legolas
For me the most moving moment came when I first started working on 2001. I was already in awe of him, and he had very much already become Stanley Kubrick by the time the film started.
When you do television, you're filming out of sequence sometimes. You have to ground yourself very quickly in the character and in the work and in the words. I think theater allowed me that sort of sharp, quick focus to do that.
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