I've been going to San Diego's Comic-Con every year since 2007 or 2008. The first time I went it was an overwhelming experience because I wasn't expecting all the people; I wasn't even expecting all the joy. I came from a background where, when I was about eighteen or nineteen, I found comic-book fandom. But it was the fandom of online communities. And within those communities there was a tremendous amount of excitement and joy, but I'd never been around people in such a large group setting where this joy was pouring out of them. It was a revelation.
Fandom can keep something alive, and fandom can take it down.
Fandom is about fandom, it's a great big social club.
I think Hollywood has seen what fandom can do for a project. You can definitely see that when you go to Comic-con.
If I went for a long period in my life where I was unemployed and I was unable to make a living and the only way for me to basically provide for my family was, "Hey, we're bringing Lost back!", then I would probably consider it. But I feel like it would be a betrayal to the fandom, and myself, to do anymore Lost, because we had such an adequate period of time to end the show.
This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.
Instead of diving further back to the fandom as a child, more recently when I was training as an independent wrestler, that is really when women's wrestling took to the forefront and really started this upward rise.
It's cool to see wrestling fans that are also comic book creators sort of put their fandom on the page, and then take that fandom and put it on the screen.
As fandom grew more variegated, genzines reflected a broadening of interests, carrying personal columns of humor and reflection, science articles, amateur fiction, stylish gossip, and inevitably, thoughtful pieces on the future of fandom.
I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.
I think the Con-Con issue is really diversionary. I've always been against Con-Con, from the very first the time the idea was raised. Everybody knows that.
Everyone's been so great, and the fandom is so huge and passionate and dedicated. It really is great to feel so supported.
Virtuality - connection without proximity - is a major attraction in both fandom and the Net. Nobody knows you're a dog through the U.S. mail, either. Fans could be utterly different in their fanzine persona, which may be why both fandom and the Net were invented by individualistic Americans.
For me, One Direction is the only fandom I've been in, and I made so many friends.
It's weird to see the parallel between 'Gilmore Girls' and a lot of the Comic-Con-type, sci-fi-fantasy fans. In a weird way, even though 'Gilmore Girls' is not in that genre, the way the fandom conducts itself and has created this community is similar.
I like how blogging emulates fandom because it's so completist and spontaneous. It really mirrors the way people listen to music, and I like that fluidity with online content.