A Quote by Ornette Coleman

I would like to play for audiences who are not using my music to stimulate their sex organs. — © Ornette Coleman
I would like to play for audiences who are not using my music to stimulate their sex organs.
If you had a daily printout from the brain of an average twenty-four-year-old male, it would probably go like this: sex, need coffee, sex, traffic, sex, sex, what an asshole, sex, ham sandwich, sex, sex, etc
I added and deleted according to the audiences' response to different gestures, and chose songs to build an act that would constantly stimulate my audience.
Because every portion of the body, mind, and spirit yearns for the integration of yin and yang, angelic intercourse is led by the spirit rather than the sexual organs. . . . Where ordinary intercourse unites sex organs with sex organs, angelic cultivation unites spirit with spirit, mind with mind, and every cell of one body with every cell of the other body.
There is not a moral to every story in animal behavior. Sometimes a snake is just a snake, and sometimes snake sex is only about sex in snakes, or sex in egg-laying reptiles. Although a biologist's job in part is to interpret what organisms do in a broader context, that context does not, and should not, need to include a lesson for human beings. This is true regardless of whether the lesson is something we would like to teach, which means that using animals as vehicles for nonsexist thinking is just as out of bounds as using them to keep women barefoot and pregnant.
Whenever I play recitals, the part where I talk about music and my experiences of music, audiences always like it. They feel more involved with an artist who talks to them. It's a nice experience for me as well.
If you're in a successful play and the play is working well - I mean successful because the audiences like it, the audiences respond well - it's a pleasure.
Obviously, I would like to play to bigger audiences and have a bit more success, but not if I have to commercialize.
I'd like to expand on doing what I love and venture out a bit more. I would like to play consistantly good music. Eventually someday I would like to open up a school and teach kids about music.
And we would play together, like fine musicians should, And it would sound like music, and the music would sound good. But in real life I'm stuck with that same old formula, me and my monophonic symphony, six string orchestra.
In the 1990s I got to play in a group that played in prisons in California. We would play in maximum security wards. It was infuriating. Those kinds of situations stick with me. We got to come in and play music for them because that's a way of caring, just offering something, a gift, basically. They're basically the most grateful audiences I've ever experienced, because nobody's giving them anything.
You need something that no one else is using. And something that is clean enough to play around audiences.
We don't play to be seen. I'm addicted to music, not audiences.
In your thirties, you're much more comfortable with sex. First of all, sex is something you've done more. You know you can have sex just to have sex; you can have sex with friends; you can have sex with people you love; you can have sex with people you don't like, but the sex is good. And you can joke about sex much more.
Wa-wa-wa watch bikinis no top. See my sex sex sex sexy bikinis would drop. Tic-tac-toe don't play me I'll stop. Tonight I will make you mine.
Darwin theorized that mankind (both male and female) evolved alongside each other over millions of years, both reproducing after their own kind before the ability to physically have sex evolved. They did this through "asexuality" ("without sexual desire or activity or lacking any apparent sex or sex organs"). Each of them split in half.
My parents were opera singers. I didn't want to play opera because I wasn't good enough. I didn't want to play their music; I wanted to play the music that I wanted to play, and I'm so lucky that today I get to play that music, even though I don't like every song I write.
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