It seems to me that in the western world, culture has something to do with appearance. A person that's out creating good stuff has got to appreciate someone when they take the time to have an appearance that goes with what they're doing.
I wonder if there'll ever be a time where you're not judged by your appearance. It seems that wherever you've got to, your appearance is always discussed. It's never said about men. We talk about a man's charisma, not his looks.
By imitating the manners and the mode of life of the West, the Muslims are being gradually forced to adopt the Western moral outlook: for the imitation of outward appearance leads, by degrees, to a corresponding assimilation of the world-view responsible for that appearance.
I got a call from someone at WWE and was flown out for an appearance, knowing I had to do Revlon training the next day. I was open to it as long as they got me to the airport so I could make it to my gig in San Francisco on time. When the company picked me up, I had all my Revlon stuff for the class the next day and took it with me to the arena.
You can reach timelessness if you look for the essence of things and not the appearance. The appearance is transitory โ the appearance is fashion, the appearance is trendiness โ but the essence is timeless.
In a lot of Western science fiction, you need some form of conflict, whether it's aliens or robots. I think in Western culture, being more suspicious of science, and hubris, you'll see a lot of fear of creating something that goes out of control.
I always look at that stuff as something that's not a separate entity from the music but a visual representation of the music. I feel like your external appearance should be in harmony with your internal appearance. That's mainly our approach to the visuals.
I definitely care about what I look like, certainly when I am going out in public, doing an appearance or something, but when I'm home, I'm all sweatpants, all the time.
The inability to envision a certain kind of person doing a certain kind of thing because you've never seen someone who looks like him do it before is not just a vice. It's a luxury. What begins as a failure of the imagination ends as a market inefficiency: when you rule out an entire class of people from doing a job simply by their appearance, you are less likely to find the best person for the job.
I care very much about all of my characters, recurring or not. I try to imagine something about that person beyond his or her physical appearance. After creating them, part of my job is to inhabit them and try to see their world from their perspective.
The day I don't attend to my nostrils is the day I will have forsworn that world and become a different person. Someone otherwise preoccupied. Someone who couldn't care less what anyone thinks of his appearance - someone for whom the material life has lost its appeal.
I set up a system, and the system can catch part of what is happening in the world - what's going on in the world - an appearance in the world, and suspend that appearance itself from being important.... The work is about the system.
I'm quite private. And I never wanted to be the biggest star in the world really. So in that sense I've got a good balance of doing great shows, of making an appearance every now and then and writing music, and I don't really have to do much else.
I'm quite private. And I never wanted to be the biggest star in the world, really. So in that sense I've got a good balance of doing great shows, of making an appearance every now and then and writing music, and I don't really have to do much else.
Sweetness flows from your appearance and your beauty makes me fall more in love with you. Anytime I feel low, I think about the good times you have given me and everything seems good again.
The one characteristic of authentic power that most people overlook is humbleness. It is important for many reasons. A humble person walks in a friendly world. He or she sees friends everywhere he or she looks, wherever he or she goes, whomever he or she meets. His or her perception goes beyond the shell of appearance and into essence.
At drama school, a casting director asked the class to walk round the room one at a time, and we had to imagine who they might be. The two before me were described as a doctor and a businessman, but when it came to me, they said homeless person. That was when I thought I'd better do something about my appearance!