A Quote by Orrin Woodward

A leader is always first in line during times of criticism and last in line during times of recognition. — © Orrin Woodward
A leader is always first in line during times of criticism and last in line during times of recognition.
Matisse makes a drawing, then he makes a copy of it. He copies it five times, ten times, always clarifying the line. He’s convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.
The Sun' and the 'News of the World' fell in line behind New Labour in the run up to the 1997 election, 'The Times' stayed broadly neutral and 'The Sunday Times' unenthusiastically Tory. After the election, 'The Times' quickly fell in line as the New Labour house journal.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue. If it does, I can feel a sense of momentum - the poem finds a reason for continuing.
It is possible to combine a story line and plot line in the same work. Usually the storylines comes first, serving as a background to the plot line, but not always.
I've always gone with Kafka's model of establishing the world from the first line, as in Kafka's famous line from Metamorphosis, "Gregor Samsa woke up from uneasy dreams to find himself transformed into a gigantic insect" (or beetle or cockroach, depending on the translation). I have to have that first line before I can go further.
I always want the last line to be really good, which may sound silly, but I want it to be a last pleasing line.
I started as a fourth-line fighter, went to being a third-line centre, then a second-line winger and a first-line centre. I've played every role there is, and the only thing that matters is helping the team win.
A lot of times, for videogames, you get almost no time to prepare with a script. You've got a director that's going line for line, filling you in on what's happening, and some games are even less than that.
Once I was standing in line to buy a telephone and Senator Wirth was in line with me. The next day the New York Times reported that we'd both purchased telephones and what price we'd paid!
Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one.
The bottom line is, what defines you isn't how many times you crash, but the number of times you get back on the bike. As long as it's one more. you're all good.
It is very important as a human being to be able to laugh at yourself and circumstances and particularly as a Christian. We have to know that good times don't last always and bad times don't last always.
In my dreams and visions, I seemed to see a line, and on the other side of that line were green fields, and lovely flowers, and beautiful white ladies, who stretched out their arms to me over the line, but I couldn't reach them no-how. I always fell before I got to the line.
The times are squalid. They always were. It is a poet's duty to hold the line.
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