A Quote by Orson Bean

I don't think that the theater should necessarily pay. — © Orson Bean
I don't think that the theater should necessarily pay.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
I think wrestling is the one that presents theater for people who want to see some theater but don't necessarily have to dress up or be quiet while they're watching.
You have to pay so much to see theater, even in Chicago. In the Greek theater, you didn't have to pay anything. You actually had to go, and you just sat there all day.
I love doing theater. Despite the fact that out of theater, film, and TV, theater is the hardest thing to do. It's the least paid, and we all have these bills that we have to pay.
Of course I have bills to pay, but at the same time, it's more about the passion and the love, and I think that's where music should come from, the heart, not necessarily just to cash a check.
You don't enter the theater and pay your money to be afraid. You enter the theater and pay your money to have the fears that are already in you when you go into a theater dealt with and put into a narrative.
I don't think you should have to pay to look at graffiti. You should only pay if you want to get rid of it.
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues, and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues; and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
I don't pay much attention to how the plays relate thematically to each other. I think that's very dangerous to do, because in the theater one is self-conscious enough without planning ahead or wondering about the thematic relation from one play to the next. One hopes that one is developing, and writing interestingly, and that's where it should end, I think.
The economics of theater are painful. I still think that the theater community should be looking much more rigorously at how to let the playwright keep the money they make.
It's wrong to make a living off the theater. Theater should be supported, like redwood trees. You should make your living - whether you're a writer or an actor or a director - in movies or commercials. But you do theater out of love.
I believe that hardworking people should retain as much of the money as they can in terms of the taxes that they pay. But I think everybody should pay their taxes.
The whole issue is that everyone would love to do theater, but it doesn't pay enough, so to do music theater on TV, that's the ultimate dream.
I believe that people of my income group should pay more, and I explained why, but that won't necessarily lift overall wage levels.
To discover what you really believe, pay attention to the way you act -- and to what you do when things don't go the way you think they should. Pay attention to what you value. Pay attention to how and on what you spend your time. Your money. And pay attention to the way you eat.
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