A Quote by Orson Bean

I was blacklisted and overnight my TV appearances dried up. Ed Sullivan called to cancel my appearance and said he'd help me when he could, and a year later he did. Only a few wackos wanted the blacklist. It was a protection racket.
Everything that you'd see on The Ed Sullivan Show was at the Tannen's Magic. You'd think that if you could afford a trick like Doc Nixon's Dove Vanish, then you could be on The Ed Sullivan Show as an 8-year-old kid.
There is no blacklist. In the first place, in the entertainment business, money talks, bullshit walks. So Susan Sarandon and Tim Robbins won't be blacklisted because they are bankable stars. In the second place, if you are a woman, the only things you're going to be blacklisted for in Hollywood are body fat and aging.
I couldn't do 'The Ed Sullivan Show.' Ed said I was a flash in the pan, and he was right.
The Dave Clark Five had more appearances on 'The Ed Sullivan Show' than The Beatles.
After we did [All In The Family], that ended up being a real love fest all around. Me and Norman, Norman [Lear] and me, Rob Reiner, everybody liked everybody. So about six or seven months later I moved out to L.A. and I got a call that Norman wanted to see me. I came in and he said "ABC has given me a property that they just optioned to make into a TV series. It's from a play called Hot L Baltimore, and I want you to be in it."
Ed Sullivan brought me to TV first in 1952, then Garry Moore's program gave me a lot of confidence and freedom.
I remember tap-dancing and singing in front of the TV when I was a kid, telling my dad to stop watching Ed Sullivan or Milton Berle and watch me.
When I came to the United States, I appeared on the Ed Sullivan Show as a 13-year-old, and I played a Mendelssohn Concerto, and it sounded like a talented 13-year-old with a lot of promise. But it did not sound like a finished product.
Rosalynn said, "Jimmy, if we could only get Prime Minister Begin and President Sadat up here on this mountain for a few days, I believe they might consider how they could prevent another war between their countries." That gave me the idea, and a few weeks later, I invited both men to join me for a series of private talks. In September 1978, they both came to Camp David.
It was funny, a lot of people who rejected me as a player, later said, 'Oh, we did it to help you.' I met a coach years later who said, 'I didn't take you at that time for your own good!'
I came down to Orange because I sold the Smothers Brothers a song called 'Chocolate,' and that gave me enough money to move down here. I was washing windows down in Orange County when they called me up and said they wanted me to do their TV show.
I did the Ed Sullivan show four times. I did the Steve Allen show. I did the Jackie Gleason show.
The first show that my dad and my mom did together was for, was a comedy series, a short form that went in the middle of late-night news, and then through all of their career, it was always the "Ed Sullivan Show," it was a variety act, my dad was on the "Jimmy Dean Show" for a few years.
I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
When the cinematography school told me I would have no chance to get a job, I said, "It's irrelevant." My mom was a feminist in the '20s. She taught me to be on my own, to be independent, to do what I wanted to do. I did not believe it would be difficult. It was difficult. In '66, I almost starved for a year and a half, and the only way I did not starve was because I could not find a job in camera, but I found a job in editing.
I did those two TV matches in WCW against Kevin Sullivan and Meng, and within five minutes of walking into that locker room, I was like, 'I don't want to be here.' I could tell this is not the place for me. And the dream was still WWF and getting there.
This site uses cookies to ensure you get the best experience. More info...
Got it!