A Quote by Orson F. Whitney

Poetry is the elder sister of history, the mother of language, the ancestress of civilization. — © Orson F. Whitney
Poetry is the elder sister of history, the mother of language, the ancestress of civilization.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
In English, there is one word for sister. In Chinese, there are two separate words, for elder and younger sister. This is actually a translation problem because if you see the word sister, you don't know how to translate it to Chinese because you don't know if it's an elder sister or younger.
Since the boundary of the world of poetry is fluid, the language in it is also fluid. Hence, the language that is outside of the poetry world, namely the language that is not the language of poetry, cannot go into the poetry world.
There is only one person an English girl hates more than she hates her elder sister; and that is her mother.
There's never been a culture without poetry in the history of the world. In every culture, in every language there is expressive play, expressive word play, there's language use to different purposes that we would call poetry.
We have seen and do see the type of evil that is within human civilization, and the Holocaust took place in European history during an advanced state of technology and form of civilization, only to become an event in that history that questioned what civilization actually means.
Poetry is one of the essential structures of civilization - carrying myth, ritual, 'tales of the tribe' and the essence of language.
I was born in a middle class Muslim family, in a small town called Myonenningh in a northern part of Bangladesh in 1962. My father is a qualified physician; my mother is a housewife. I have two elder brothers and one younger sister. All of them received a liberal education in schools and colleges.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
The AP Italian language program has been preserved. We would like to thank the scores of people who joined the effort to ensure that generations of students will have the opportunity to learn not only a beautiful language but the history and contributions of one of the great cultures of Western civilization.
The language of poetry is not stuck in place. Nothing can own language. I think, however, the genre of poetry itself is very feminine and motherly.
Our language, history, and civilization shine out across every continent.
My elder sister Saraswati is my inspiration.
Gunn would be an important figure-rewarding, delightful, accomplished, enduring-in the history of English-language poetry even were his life not as fascinating as it now seems; he would be an important figure in the history of gay writing and in the history of transatlantic literary relations even were his poetry not so good as it is. With his life as it was and his works as they are, he's an obvious candidate for a volume of retrospective and critical essays, and this one is first-rate.
I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.
When my elder sister decided to pursue sports, she faced a lot of music at home. We didn't have a TV in our village, so no one understood the value of sports. But my sister convinced my parents that participating in sports would mean a secure job in the government.
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