A Quote by Orson Scott Card
All the stories are fictions. What matters is which fiction you believe.
Related Quotes
Even the most scientific investigator in science, the most thoroughgoing Positivist, cannot dispense with fiction; he must at least make use of categories, and they are already fictions, analogical fictions, or labels, which give us the same pleasure as children receive when they are told the "name" of a thing.
The final belief is to believe in a fiction, which you know to be a fiction, there being nothing else. The exquisite truth is to know that it is a fiction and that you believe in it willingly.
I like fiction that deals with matters that are of burning importance to us in our private lives. And not all short stories are like that. In general, short stories - and maybe this is a little bit off-topic - but I think short stories have this bad association with, like, waiting rooms.
I was in love with the idea of love, so I created elaborate fictions for my relationships - fictions that allowed me to believe that what any given paramour and I shared looked a lot like love.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
There aren't really rules for painting, but there’s certain facts and fictions about painting. Part of what I do is document another surface and sort of translate it. They’re like translations, and then part of it is fiction, which is invention.
Sometimes the song isn't strong enough to contain the fiction, because memories are fictions.
Every fiction since Homer has taught friendship, patriotism, generosity, contempt of death. These are the highest virtues; and the fictions which taught them were therefore of the highest, though not of unmixed, utility.
Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.
If you look at the best-seller list for American fiction, they're all sequels to detective stories or stories about hunting serial killers. That's what's called American fiction these days.
Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I don't fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.
Writing is writing, and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?
The strange and wonderful Book of Job treats of the same subject as we are discussing; its contents are a fiction, conceived for the purpose of explaining the different opinions which people hold on Divine Providence. ...This fiction, however, is in so far different from other fictions that it includes profound ideas and great mysteries, removes great doubts, and reveals the most important truths. I will discuss it as fully as possible; and I will also tell you the words of our Sages that suggested to me the explanation of this great poem.
Personally, I believe in fiction because the stories I like are those with a beginning and an end.
God gets the great stories. Novelists must make do with more mundane fictions.
Race is the true protagonist of the American novel. Our most popular classic fictions have known this, from 'Moby Dick' to 'Beloved;' all these books take on race or talk it out, often in other forms; they are less 'horror stories for boys' than ghost stories from a haunted conscience.
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