A Quote by Orson Scott Card
For it is in the millions of small melodies that the truth of history is always found, for history only matters because of the effects we see or imagine in the lives of the ordinary people who are caught up in, or give shape to, the great events.
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For 'Portillo's Hidden History of Britain,' I arranged to meet men and women who were witnesses to history - ordinary people who were caught up in extraordinary events.
I want my work to become part of our visual history, to enter our collective memory and our collective conscience. I hope it will serve to remind us that history's deepest tragedies concern not the great protagonists who set events in motion but the countless ordinary people who are caught up in those events and torn apart by their remorseless fury. I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
The vital thing for me is to integrate the history from above with the history from below because only in that way can you show the true consequences of the decisions of Hitler or Stalin or whomever on the ordinary civilians caught up in the battle.
The question I'm always asking myself is: are we masters or victims? Do we make history, or does history make us? Do we shape the world, or are we just shaped by it? The question of do we have agency in our lives or whether we are just passive victims of events is, I think, a great question, and one that I have always tried to ask.
There remains an experience of incomparable value . . . to see the great events of world history from below; from the perspective of the outcast, the suspects, the maltreated, the powerless, the oppressed, the reviled ---- in short, from the perspective of those who suffer . . . to look with new eyes on matters great and small.
The truth is that History, with its imposing capital H, is simply the amalgamation of many quotidian lives lived in very ordinary ways. History is always personal. If you read Holocaust survivor or American slavery survivor narratives, you realize all too well that these great Historical moments were personal to someone at some time.
It is not just the history of the Hawaiian islands but the significance of the ordinary people whose lives - many quite extraordinary - make up that history.
History matters. It matters whether we tell the truth about what happened centuries ago, and it matters whether we tell the truth about more recent history. It matters because if we can't we will never be able to face the present, guaranteeing that our future will be doomed.
History isn't like that. History unravels gently, like an old sweater. It has been patched and darned many times, reknitted to suit different people, shoved in a box under the sink of censorship to be cut up for the dusters of propaganda, yet it always - eventually - manages to spring back into its old familar shape. History has a habit of changing the people who think they are changing it. History always has a few tricks up its frayed sleeve. It's been around a long time.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
In economic life and history more generally, just about everything of consequence comes from black swans; ordinary events have paltry effects in the long term.
When in our isolation we see our lives seeping away as a mere succession of moments, tossed meaninglessly about by accidents and overwhelming events; when we contemplate a history that seems to be at an end, leaving only chaos behind it, then we are impelled to raise ourselves above history.
Because the question for me was always whether that shape we see in our lives was there from the beginning or whether these random events are only called a pattern after the fact. Because otherwise we are nothing.
When I went to high school - that's about as far as I got - reading my U.S. history textbook, well, I got the history of the ruling class. I got the history of the generals and the industrialists and the presidents that didn't get caught. How 'bout you? I got all of the history of the people who owned the wealth of the country, but none of the history of the people that created it.
I've always loved history, from my youngest memories. My father enjoyed the great stories of history, like Hereward the Wake, Robin Hood, and Richard the Lionheart, and he shared them with me. I went on to do a degree in history, though I found it rather dry, because it was mostly about politics rather than dashing individuals!
Everything bad happens to set up something good. I've always found that to be true. I think if most folks look back on the history of their lives, they'll see that.
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