A Quote by Orson Scott Card

nobody ever wrote to me saying"you know ender's game was a pretty good book, but you know what it really needs a n introduction!".....so be assured the novel stands on its own, and if you skip this intro and go straight to the story, i not only won't stand in your way i'll even agree with you!
It's a bit cliche, but you can't go wrong by writing what you know. Even if you're a horrible writer, your own knowledge and experience is unrivaled. Nobody knows what you know like you know what you know. The way you see things is pretty unique.
You know, not every good book needs to be a movie, or a television series, or a video game. There's great work in those mediums, of course, but sometimes a book should remain a book. I still believe nothing tells a story with the richness and complexity of a good novel. When people say they think a book would make a good movie, they say this sometimes because, if it worked, they already saw all the images in the movie theatre that is in their brains. And sometimes that is the way it should stay.
I skip the introduction. If the book goes in the trash, I want it to go because of my thoughts on it, not because of some Asshole's thoughts who wrote the introduction.
Nobody in my life has ever known me the way you do. Nobody in my life has ever made me feel as good as you do. You know me, you know everything about me, and when you leave me, you're going to be leaving the real me, the me nobody else has ever seen, that's who you're going to be rejecting.
As far as poetry, I don't know if I've ever written any. I've read a lot. I just write and it comes out in different forms and shapes. I don't know if I'm any good at it I just really go for it and I'm very prolific book wise only because I own the company. No one tells me 'no' around here.
Be proud, Bonito, pretty boy. You can go home and tell your father, Yes, I beat up Ender Wiggin, who was barely ten years old, and I was thirteen. And I had only six of my friends to help me, and somehow we managed to defeat him, even though he was naked and wet and alone--Ender Wiggin is so dangerous and terrifying it was all we could do not to bring two hundred.
We all make mistakes, nobody ever wrote a book saying 'This is how you live your life.'
Girls are trained to say, ‘I wrote this, but it’s probably really stupid.’ Well, no, you wouldn’t write a novel if you thought it was really stupid. Men are much more comfortable going, ‘I wrote this book because I have a unique perspective that the world needs to hear.’ Girls are taught from the age of seven that if you get a compliment, you don’t go, ‘Thank you’, you go, ‘No, you’re insane.
Everybody has their own way of hearing songs. My fans are usually pretty on point. Sometimes they go all the way to the bottom of it. It's fascinating to me how far an idea can go. I wrote most of my first album in my mom's kitchen, and now I can go around the world and hear people recite those lyrics, and understand the story, even though they're not from the same area I grew up in.
Once, I thought I had a novel, and it turned out it was only a short story. I wrote about 800 pages, but it ended up being a short story. And if it ever happens to me again, I Will Go Insane.
Nobody ever wrote a story for me. I told in every story what was really inside my gut, and it came out that way. My stories began to get noticed because the average reader could associate with them.
After the NFLPA game, coaches were coming up to me and saying, 'We didn't even know who you were, we didn't even know your name; we weren't supposed to be even looking at you, but man, we have no choice.' And, like, the NFLPA game, I wasn't even invited until the last minute.
The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.
If I kept saying it; if I kept reaching out. My accident really taught me just one thing: the only way to go on is to go on. To say 'I can do this' even when you know you can't.
Freud wrote a book on the essence of humor, but he didn't know what he was talking about. Max Eastman wrote a book, The Enjoyment of Laughter, that was a much better book, but nobody bothered to read it.
But when I say it isn't meant for anyone's eyes, I don't mean it in the sense of one of those novel manuscripts people keep in a drawer, insisting they don't care if anyone else ever reads it or not.The people I have known who do that, I am convinced, have no faith in themselves as writers and know, deep down, that the novel is flawed, that they don't know how to tell the story, or they don't understand what the story is, or they haven't really got a story to tell. The manuscript in the drawer is the story.
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