A Quote by Orson Scott Card

When have you ever seen someone who had no doubts who was also correct about anything? — © Orson Scott Card
When have you ever seen someone who had no doubts who was also correct about anything?
I didn't have any doubts about my choice of career, but I had constant doubts about my ability, yes.
I'd never even seen orange cheese. I mean, who decided to make that orange? And so there was something different about me that they wanted to crush. I don't think it had anything to do with my physicality, but every single day in school it was, "You're the ugliest thing I've ever seen."
I was in Antwerp - which, I had about 20 shows left at that point - and a guy said, "That's Dave Attell's." Also, Antwerp was my smallest audience, so the guy was right there. I was like, "What?" He said, "Dave Attell does a bit about, 'Why are there luggage stores in the airport?'" I had never seen that, and I would never ever, ever, ever - please believe me - I would never lift material from somebody ever, and certainly not knowingly.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
The poverty one still sees in America today is more shocking to me than anything I have seen in Ethiopia or Calcutta or Manila, and has made me, as someone living in a society of great wealth and someone who's never had to worry about the next meal, think seriously about what universal responsibility really means.
Im not someone whos ever said anything definitive about his work. In my life also I have very little fixed form. I can change overnight.
The easiest thing is to create something no one has ever seen before. There's a reason no one's ever seen it - because someone tried it, and it didn't work in the real world.
Just that, is one of those uncommon moments, those times when you don't wish for something else, for even one thing to be different; when you have no other needs or worries, where your insides are calm, and everything you were ever restless about, anything that had ever given you angst, is quieted to stillness. No steel ball in your chest, no breathless fear. No blue numbness of nearly passing out, no nagging doubts of the backstage mind. All of that, forgotten. It is just rightness, so rare.
I don't think my mother and father ever had any doubts about what I was to be punished for or not. My parents come from a very strictly defined culture.
If you have doubts about someone, lay on a couple of jokes. If he doesn't find anything funny, your radar should be screaming. Then I would say be patient with people who are negative, because they're really having a hard time.
Orson Welles was a force of nature, who just came in and wiped the slate clean. And Citizen Kane is the greatest risk-taking of all time in film. I don’t think anything had even seen anything quite like it. The photography was also unlike anything we’d seen. The odd coldness of the filmmaker towards the character reflects his own egomania and power, and yet a powerful empathy for all of them--it’s very interesting. It still holds up, and it’s still shocking. It takes storytelling and throws it up in the air.
I do not think I had ever seen a nastier-looking man. Under the black hat, when I had first seen them, the eyes had been those of an unsuccessful rapist.
Partly, I'm worried that no one is saying anything because they are afraid of being seen as politically correct.
If ever I had any doubts about the fundamental realities of religion, they could always be dispelled by one memory- the light upon my father's face as he came back from early communion.
Suddenly, there was an enormous flash of light, the brightest light I have ever seen or that I think anyone has ever seen. It blasted; it pounced; it bored its way into you. It was a vision which was seen with more than the eye. It was seen to last forever. You would wish it would stop; altogether it lasted about two seconds.
I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as a period of exceptional creative freedom and adventure, when one was regularly presented with works of art unlike anything one had ever seen before.
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