A Quote by Orson Scott Card

Ulysses, obviously. It was an elaborate prank, and our supposed intellectual elite continue to fall for it. — © Orson Scott Card
Ulysses, obviously. It was an elaborate prank, and our supposed intellectual elite continue to fall for it.
I suspect that LaGuardia is an elaborate prank, and New York has a real airport nearby that only locals know about.
When Ulysses hears his own story sung by an epic poet and then he reveals his identity and the poet wants to continue singing, Ulysses isn't interested any longer. That's very astonishing.
If all our political and intellectual elite offers by way of a national culture is "pop music, gambling, fashionable clothes or television," then we can neither mount a convincing intellectual defense against our enemies, nor hope to integrate intelligent, inquiring, and unfulfilled Muslim youths young men principally, of course to our way of life.
We girls aren't supposed to fall for the good boys.We are supposed to like a bit of grit in our oyster.That's how you get a pearl, after all.
There have been prank shows that have been really elaborate, setting up fake car accidents and burglars. For us, we wanted to strip it down completely, didn't want to do anything that someone else couldn't do - a lot like the Jerky Boys.
There's a difference between a caper and a prank. A prank is like playing Ding-Dong-Ditch, you know, you ring the doorbell and then run and hide in the ditch. That's a prank. It has no shelf life, like reassembling the principal's car up on the roof of the gym. It's cute and everything but there's no shelf-life, and it can actually be kind of destructive. But a caper is different. It's something where everybody has made it in.
Unlike Marxism, the Leninist one-party state is not a philosophy. It is a mechanism for holding power. It works because it clearly defines who gets to be the elite - the political elite, the cultural elite, the financial elite.
I ended up doing a lot of prank shows in my life or prank theater, but I always got fairly nervous about doing 'em.
It was funny to be an emcee, because you're so at the mercy of the club. You can show up for the weekend hoping to get the $400 - and get fired. I had to prank whoever they told me to prank.
Mac [Barnett] and I prank each other during our presentation. We show baby pictures of each other looking completely ridiculous. I can't believe the frilly shirt that I'm in, and Mac's wearing a sailor suit and playing a toy piano. That's a perfect example of a good prank, where we have three hundred people literally laughing in our faces, three hundred kids at every assembly. And it feels really good. It's really fun.
People are starting to notice the great divide. The Tea party sees the aloofness in a political elite that thinks it knows best and orders the rest of America to fall in line. The Occupy movement sees it in an economic elite that lives in mansions and flies on private jets.
You're not supposed to have iron bars around you - no one is supposed to have that. You're supposed to fall down hills and get lonely, and find your own food and get wet when it rains. That's what happens when you're alive.
You can't destroy America by destroying our elite. Think about America's elite. Think about it down through history. Destroy our elite, and about half the time, you're doing us a favor.
If a work alienates a reader, should that be counted against it? I respect people that love 'Ulysses,' for example, but I'm on the other side of the argument. 'Ulysses' would be better if it seduced me. But I probably have the minority point of view.
We have the finest military in the world, an elite group of men and women who continue to be a tremendous source of national pride by routinely putting their lives on the line to protect our freedom.
I'm not sure which I dislike more: 'Ulysses' or the James Joyce estate. Admittedly, a few people have got some pleasure from 'Ulysses', but against that, you have to weigh the millions of lives that have been ruined by the futile attempts to read it.
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