A Quote by Orson Scott Card

Your work is first, learning is first, winning is everything because without it there is nothing. — © Orson Scott Card
Your work is first, learning is first, winning is everything because without it there is nothing.
Humanity does not ask to be happy.It merely asks us to be brilliant on its behalf. Survival first, and then happiness as we can manage it... Take what pleasure you can in the interstices of your work, , but your work is first, learning first, winning is everything because without it there is nothing.
When you're a teenager, everything is amplified because everything is a first. The first time you feel othered, the first time you feel rejected, the first time you fall in love... it's the first time, so it's so vivid, and everything feels like the whole world almost, because it is your whole world; your world is small when you're a teenager.
Life seemed to be an educator's practical joke in which you spent the first half learning and the second half learning that everything you learned in the first half was wrong.
Creativity is every company's first driver. It's where everything starts, where energy and forward motion originate. Without that first charge of creativity, nothing else can take place.
When I look back at the tapes, your first everything, your first All-Star Game, your first playoff experience, it just seems like it went by really fast.
To have your first No. 1 as an artist was everything I could have ever dreamed for. Now we're keeping our fingers crossed, and hopefully we'll have many more, but there's certainly nothing like the first one.
I think the work in front of us is the first work task given our forbearers, which is to care for the garden. Now because it's the first thing commanded, maybe it's the first thing forgotten. But it is the first admonition and it is absolutely unequivocal. It is part of right livelihood.
For my first movie, I think my first cut was like three hours, because when you first direct a movie, you want to keep everything. But I'm not one of those directors who falls in love with the stuff they've done. Already when I'm doing my first cut, I'm willing to cut out everything that is necessary.
I remember writing standup jokes without having done sets. But as soon as I did my first set, it didn't matter. Everything I thought would work didn't work. And everything I was iffy on was funny.
So I think that in the beginning of your career you're just looking to work. Luckily for me, my first movie was 'Rabbit Hole' and I got to work with incredible people, a Pulitzer prize winning writer, John Cameron Mitchell, and all the actors involved. So it's tough, man, because you want to have credibility.
My first medal, the League Cup at Tottenham, that was a very proud moment for me. Being captain, and winning. But also winning the double in my first year at Arsenal, that was special.
When you are a rookie you are going through everything for the first time, your first DNP, your first not seeing eye to eye with a coach, first understanding trades happen, guys making more money play more. I was overwhelmed. I had a lot of maturing to do.
What is needed is competence first and enthusiasm first. There is nothing second! Although each or one of these alone is a good start, one without the other is impotent. But if I had a choice I would have enthusiasm first.
One thing I've always been taught at the defensive end is you hit first. In life, you throw the first punch; you don't get punched first. It's the same on defense: You've got to hit first. Do your work early. That's what I was always taught. If you don't do your work early, you're done.
We were the first multibrand platform for the customization of designer clothing. And it's great to be a first mover if you manage to pull it off. You can have a great competitive advantage. But if you're quite early, you're learning a lot: both learning as a company, and the customer is still learning.
Most people think I do street art, so I do everything for nothing. I'm an urchin who paints walls and does work for nothing. That's the first misconception about street artists, that we just paint for nothing.
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