A Quote by Orson Welles
I would just like to mention Robert Houdin who in the eighteenth century invented the vanishing birdcage trick and the theater matinee - may he rot and perish. Good afternoon.
Related Quotes
What makes 'The Marriage of Souls' such a wonderful book is Collins's intricate reconstruction of the late eighteenth-century world. Simplicity and philosophy are the hallmarks of eighteenth-century art and architecture. The classically pure lines look deceptively simple and unburdened by heavy symbolism or imagery.
I like going to the matinee. I like taking my daughter there. It's just my favorite place in the world. I go there after auditions. I lived in New York City, I would go to the theater right after because it clears your mind.
Magic and new technology have always walked hand in hand - even back in the days of Robert Houdin.
Field of Dreams is the only movie - and I saw it in the theater - on an afternoon when I was on location somewhere, and there were like 12 people in the theater. I was just so devastated; I couldn't get out of my seat. And I sat and watched it a second time.
The wonderful 17th Century poet, Robert Herrick, wrote a poem entitled, 'To Live Merrily and to Trust to Good Verses.' Easy to say, Robert Herrick; not always easy to do. But it's a good slogan, I think.
We are all treading the vanishing road of a song in the air, the vanishing road of the spring flowers and the winter snows, the vanishing roads of the winds and the streams, the vanishing road of beloved faces.
You can't understand Twenty-first-Century Politics with an Eighteenth-Century Brain.
What Marie Antoinette was to eighteenth-century France, Mary Pickford is to twentieth-century America.
The modern world is devoted to vanishing species, vanishing weather and vanishing capacity for wonder.
The first-cause and prime-mover argument, brilliantly proffered by St. Thomas Aquinas in the fourteenth century (and brilliantly refuted by David Hume in the eighteenth century), is easily turned aside with just one more question: Who or what caused and moved God?
Without competition we would be clinging to the clumsy antiquated processes of farming and manufacture and the methods of business of long ago, and the twentieth would be no further advanced than the eighteenth century.
Our political organization, based as it is on an eighteenth-century separation of powers and on a nineteenth-century nationalist state, is generally recognized to be semiobselete.
If you pick up an eighteenth-century play, at the top it says 'The Argument,' and then you have a list of characters, and then you have the play. I was just always struck by that - that, of course, good drama is about conflict.
It may happen in the next hundred years that the English novelists of the present day will come to be valued as we now value the artists and craftsmen of the late eighteenth century.
I grew up in Sacramento and spent a lot of time in the Saturday matinee. I just thought, 'Wow.' It's that magic of sitting in a dark theater as a little kid. That was in the '50s.
Given that the nineteenth century was the century of Socialism, of Liberalism, and of Democracy, it does not necessarily follow that the twentieth century must also be a century of Socialism, Liberalism and Democracy: political doctrines pass, but humanity remains, and it may rather be expected that this will be a century of authority ... a century of Fascism. For if the nineteenth century was a century of individualism it may be expected that this will be the century of collectivism and hence the century of the State.
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