A Quote by Orson Welles

Every true artist must, in his own way, be a magician, a charlatan. — © Orson Welles
Every true artist must, in his own way, be a magician, a charlatan.
Make no mistake about it, magick is an art form, and every true magician is an artist.
Before one can become a magician he must learn to control his own mind; for mind is the substance with which the magician acts, and the power to control it is the beginning of magic.
The painter who strives to represent reality must transcend his own perception. He must ignore or override the very mechanismsin his mInd that create objects out of images(symbols)... The artist, like the eye, must provide true images and the clues of distance to tell his magic lies.
The greatness and efficacy of a magician is measured by his refusal to use magic. The true magician, the greatest, is the poorest and most unfortunate of all mortals. Because between his magic and his person forgetfulness takes shape, in the form of the world.
You may give a piece of bread to a hungry person, and when the cravings of hunger return some one else must administer to his wants again; to put that person in a position to earn his own subsistence is true charity; in this way you direct his feet in the path of true independence, he is then only dependent on his own exertions and on the blessings of his God.
It is true that every artist has his own religion.
It's not enough merely to exist. Every man has to seek in his own way to make his own self more noble and to relize his own true worth.
Each must discover his own way in life, and that way lies in his heart. Let him delve deeply into the depths of his being; his true centre is not far from there.
In primitive society, where uniformity of occupation is the rule, and the distribution of the community into various classes of workers has hardly begun, every man is more or less his own magician; he practices charms and incantations for his own good and the injury of his enemies.
A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.
With only one life to live we can't afford to live it only for itself. Somehow we must each for himself, find the way in which we can make our individual lives fit into the pattern of all the lives which surround it. We must establish our own relationships to the whole. And each must do it in his own way, using his own talents, relying on his own integrity and strength, climbing his own road to his own summit.
However contradictory the coroner's report — whether he pronounces Consumption or Loneliness or Suicide to be the cause of death — isn't it plain how the true artist-seer actually dies? I say that the true artist-seer, the heavenly fool who can and does produce beauty, is mainly dazzled to death by his own scruples, the blinding shapes and colors of his own sacred human conscience.
The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.
Emulation and imitation can legitimately influence one's development, but ultimately the artist must find his own path - and be true to himself.
Every human being must find his own way to cope with severe loss, and the only job of a true friend is to facilitate whatever method he chooses.
The artist must yield himself to his own inspiraton, and if he has a true talent, no one knows and feels better than he what suits him.
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