A Quote by Orson Welles

[The movies] make the sort of comment only a novel can make, an allusion to the world in which people live, the psychological and economic motivations, the influences of the period in which they lived.
[Taboo] has been exactly the same as working with the BBC in that creatively they do that precious thing which is to only make a comment when a comment needs to be made.
The mistake we make with many people - not just Russia - is that we believe we have the model, and there is a sort of a condescension in our dialogue with other societies, which was especially painful in several administrations to Russia. I think in Russia, the Yeltsin period is not considered a period of great achievement, but a period of corruption and humiliation.
I believe Korea is making the best movies. Only in Korea - you can do whatever you want to without any rating system or whatever. They can make world-class karate movies and make lots of money, which is very important.
It would be nice to make a movie that other people want to make, because every one of these movies, I basically have to find the only company in the world that's willing to make it, and it's always a big challenge. I end up spending a tremendous amount of energy and time trying to get money to make these movies and it's exhausting.
For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
I always want to make films. I think of it as a great opportunity to comment on the world in which we live. Perhaps just because I just came off "The Hurt Locker" (2008) and I'm thinking of the war and I think it's a deplorable situation. It's a great medium in which to speak about that. This is a war that cannot be won, why are we sending troops over there? Well, the only medium I have, the only opportunity I have, is to use film. There will always be issues I care about.
Because all the movies that we tell ourselves we can't make - ballets, westerns, dramas, everything that are the hardest things to make - those are the movies that are not only winning awards which is fantastic, but also those movies that are commercial. We won't see a fascinating season like this for a while.
There’s only one Earth, and it’s tiny, but evil human leaders avoid problems they don’t want to resolve by giving them names which make the problems sound like they’re taking place in a different world: they make people not care about other people dying of starvation by calling the place the dying live “the third world.
Now it's a hard time in every business with the current economic situation, so being an actor where you're seen in different parts of the world is gold because it means that people in other countries will hopefully see your movies and like them, which means more money to make other movies. It's a hard time in movie making.
We need tremendous energy to bring about a psychological change in ourselves as human beings, because we have lived far too long in a world of make-belief, in a world of brutality, violence, despair, anxiety. To live humanly, sanely, one has to change.
The most curious social convention of the great age in which we live is the one to the effect that religious opinions should be respected. Its evil effects must be plain enough to everyone. All it accomplishes is (a) to throw a veil of sanctity about ideas that violate every intellectual decency, and (b) to make every theologian a sort of chartered libertine. No doubt it is mainly to blame for the appalling slowness with which really sound notions make their way in the world.
But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people
But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people.
Anyday, one can walk down the street in a big city and see a thousand people. Any photographer can photograph these people - but very few photographers can make their prints not only reproductions of the people taken, but a comment upon them - or more, a comment upon their lives - or more still, a comment upon the social order that creates these lives.
I never really understood that massive collaboration involving hundreds of people is what makes movies possible, and it's also why I would agree that curiosity is not the most important human trait; the urge to collaborate is. Heck . . . only we have the ability to cooperate to make like online communities and space telescopes and imaginariums and movies. So the great thrill of this whole experience [my novel being made into a movie] for me was . .. .seeing humanity do what it's best at, which ultimately is not competing but cooperating.
If I wanted to say something, I think the world knows me as being outgoing enough if I really wanted to make a comment, I would just make a comment.
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