A Quote by Orson Welles

There are a thousand ways of playing a good classic. If it were effective, I would play Hamlet on a trapeze. — © Orson Welles
There are a thousand ways of playing a good classic. If it were effective, I would play Hamlet on a trapeze.
The essential is to excite the spectators. If that means playing Hamlet on a flying trapeze or in an aquarium, you do it.
I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.
One thousand ways to say good-bye One thousands ways to cry One thousand ways to hang your hat before you go outside I say good-bye good-bye good-bye I shout it out so loud Cause the next time that I find my voice I might not remember how.
If there would be a recipe for a poem, these would be the ingredients: word sounds, rhythm, description, feeling, memory, rhyme, and imagination. They can be put together a thousand different ways, a thousand, thousand...more.
I grew up playing golf, and if I were ever good enough to play professionally, I would get to travel the world while playing a sport I love.
I'd not really ever expected to play anything like 'Hamlet.' I hadn't seen myself as a natural Hamlet, whatever a natural Hamlet is, and I quickly realised there is no such thing.
I look at it like this: that if Shakespeare were alive today, he would have written two or three plays about the Kennedy family, and actors would traditionally play JFK like they Hamlet or King Lear. They just would. I mean, people have played JFK, and they'll play him long after I have.
I knew I could only play Cyrano if he were Americanized. I had no intention of writing the script myself. I was afraid of it. You're playing with fire when you tamper with a classic. So I went looking for a writer. But it was such a personal idea, and anyone I would give it to would make it his own. It's hard to ask Neil Simon to write your idea.
When you are at the right age to play Hamlet you are still to young and immature to play it. It is much later, when you get the life experience and the emotional power, that you understand Hamlet or Macbeth.
If mankind were all intellect, they would be continually changing, so that one age would be entirely unlike another. The great conservative is the heart, which remains the same in all ages; so that commonplaces of a thousand years' standing are as effective as ever.
I think Hamlet is a very funny play - Hamlet is riddled with wit.
I'm known for fashion photographs, but fashion photographs were mostly a joke for me. In 'Vogue,' girls were playing at being duchesses, but they were actually from Flatbush, Brooklyn. They would play duchesses, and I would play Cecil Beaton.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
I would go to radio stations and they were supposed to be interviewing me and playing my record and they would say, We're playing too many women right now, we can't play your record.
A lot of guys in New York will only play with an edge. They find their groove and that's their groove. to me, once I do that, there's no point in playing anymore because it should always be a mystery. Depending on who you are playing with, there are hundreds of ways of playing. I think that a master can play all those different kinds of time.
If I were to live a thousand years, I would belong to you for all of them. If we were to live a thousand lives, I would want to make you mine in each one.
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