A Quote by Orson Welles

Film is like a colony and there are very few colonists. — © Orson Welles
Film is like a colony and there are very few colonists.
[Albert] Camus' was born in Algeria of French nationality, and was assimilated into the French colony, although the French colonists rejected him absolutely because of his poverty.
When the Chinese first came to San Francisco, they were actually welcomed by the mayor and they had special ceremonies for them-again this is when their colony was very small, only a few Chinese.
I tend to be attracted to characters who are up against a wall with very few alternatives. And the film then becomes an examination of how they cope with very few options. And that's, I guess, what interests me in terms of human behavior.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
All of my plays have puzzled some people, and I'm happy to say delighted a few, but a lot of people have just not seen how quite to look at them. And this film... if you like my writing, you'll like this film. If you don't, you won't like the film. It's pretty faithful to - it's a pretty uncompromising presentation of my way of seeing things, I suppose.
Thailand was never a European colony, so even though the city is very Western on the surface, deep down it's very Asian. It's quite enigmatic, and I like that. I can't get to the bottom of Bangkok, and I never will.
I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
In Scotland, we're a colony in more ways than one. So when directors come up to work, there's a very particular way they want Scotland to look like and to behave like.
Those who dream of the joys of living in a space colony should live in a space colony.
I meet all these American filmmakers that film for months and months, and it's a mystery to me. I couldn't make a film like that. I have to be very clear in what I'm doing and where it's going, and be very disciplined about what I film.
In the Steven F. Austin Colony, which was the first colony, Texans first established a provisional government in 1835 with the intention of writing a declaration of independence soon after.
You get very little from the studios anymore, it's all independent. And I think the studio, with the exception of something like The Social Network, a fine film, very interesting, but as for studio pictures, that's it, what else? There was more only a few years ago. So it changes, and I'm trying as much as I can.
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy. It's very hard to go down there and make a film like 'Sideways,' which I thought was a great film. They don't want to make films like that anymore, even though that film was very successful.
I hope people like me in the film and love the film because I think 'Befikre' is a very sweet film.
I directed 'Death in the Gunj' which released in 2017. It got very good reviews and a few awards but did not do well at the box-office. But I'm not bothered. I made the film that I wanted to make. It was not a film for everyone.
Light inspires me. I'm drawn to architecture, often graves, statues, trees - things usually that are quite still. I've been taking pictures continuously since 1995 until the end of Polaroid film. I'm taking very few pictures nowadays because I have very little film left, most of it expired.
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