A Quote by Orson Welles
I have the terrible feeling that, because I am wearing a white beard and am sitting in the back of the theatre, you expect me to tell you the truth about something. These are the cheap seats, not Mount Sinai.
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A beard is something that is almost like a mirror to the viewer. When someone sees you wearing a beard, they're seeing something in their own imagination because it's still me whether I'm bearded or not.
I am grateful to theatre for making me what I am today. But it's not like theatre is my first love. I am equally attached to cinema, which is, actually, a child of theatre, since it borrows heavily from it.
The friendship that you create between you and a mom - or you and an older woman figure - is so important and so influential. I think that my relationship with my sister, my relationship with my best friends - when I'm feeling really terrible about myself, they're always there to let me know that I am being dramatic about something, or I'm being stupid about something - it's good to have those kinds of people to drag you back down and protect you.
I am stronger than words and I am bigger than the box I'm in, and then I see her in the crowd and I fall apart -I am listening and I am listening because what I'm playing isn't something I'm thinking about, it's something I'm feeling all over.
People tell me I am brave. People tell me I am strong. People tell me good job. Well here is the truth of it. I am really not that brave, I am not really that strong, and I am not doing anything spectacular. I am just doing what God called me to do as a follower of Him. Feed His sheep, do unto the least of His people.
There is something so great about film and television where you can convey an emotion in
the blink of an eye which you would perhaps not be able to do to the back row of a theatre, like
over 1000 seats, and there is something so subtle and beautiful about that too.
Maybe I don't think I'm touching people, but I am. Sometimes I'm sitting there at three in the morning, proofreading something, and I'm thinking, Is this really worth it? Or am I doing this only because my mother taught me never to give up? Then you realize, no, even if it doesn't come back to you, you are touching people.
I think there are actors who are like, 'Okay, what am I doing, how am I doing it, what's the appeal? Tell me what to do, what are the exact lines from the script? Okay, I got it.' I am not that way. I would be a terrible bus driver. I'd want to be like, 'Oh, let's take this side road! Let's see what happens when we go down this back alley.'
I came to theatre as a teenager by going to the National Theatre when it was at the Old Vic and sitting on padded seats in the gallery for 15 pence, which was the price of a bus fare.
What actually happened with 'Miracle' was that someone saw me in 'Jurassic Park' and said, 'We want someone with a white beard - how about him?' I've got a round face, white hair, a white beard. I can wear half-moon glasses and waddle a little, cope with a cane, raise my hat.
It's totally different. I usually don't tell people about the Pleased if they know me from the harp. And if they are there to see the Pleased, I usually don't tell them about the harp. I am nervous that these people will expect something similar.
All my movies have an autobiographical dimension, but that is indirectly, through the characters. In fact I am behind everything that happens and that is said, but I am never talking about myself in first person. Something in me - probably a dislike of cheap exhibitionism- stops me from approaching a project too autobiographically.
How can I expect readers to know who I am if I do not tell them about my family, my friends, the relationships in my life? Who am I if not where I fit in the world, where I fit in the lives of the people dear to me?
I am obsessed with turquoise water, waterfalls, swimming holes... Wherever I am, there has to be lots to do, though, because I am not good at sitting around. I do not enjoy sun-tanning or sitting and always need to be going somewhere or exploring!
I have something to tell you." "How, you have something to tell me?" "You have understood me exactly." "Well, I am listening." "Listening? Then, you wish me to tell you?" "Yes, that is it. I am listening, and therefore I wish you to tell me." "Shall I tell you now?" "No.
..he made me understand something very important. Whether because I am a Latin, or because I am a neurotic, I have a need of gestures. I am myself expressive, demonstrative; every feeling I have takes on expression: words, gestures, signs, letters, articulateness or action. I need this in others.
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