A Quote by Orson Welles

I've never understood the cult of Hitchcock. Particularly the late American movies... Egotism and laziness. And they're all lit like television shows. — © Orson Welles
I've never understood the cult of Hitchcock. Particularly the late American movies... Egotism and laziness. And they're all lit like television shows.
Movies, particularly the big hit movies, are all just special effects. But on television, the writers are in control of the shows, and they control the scripts.
I love Hitchcock movies. I took a Hitchcock class in college, so I saw all his movies. I wrote papers on his movies.
I have a bunch of movies that are, like, two minutes from being green-lit, or that they've maybe even told me are green-lit. But I never believe it until I see the money.
There are things I'm never late for. I'm not late for the theater; I'm not late for the movies; I'm not late if my single girlfriend is at a bar somewhere. But if I'm on vacation in Mexico with a bunch of cackling hens, then I'm going to be late for dinner - count on it.
I make my living doing freelance directing for North American television shot in Toronto, series like Alfred Hitchcock Presents, Twilight Zone, and so forth.
I love to watch those old movies on late-night television, particularly when a couple get up from a champagne dinner in a posh restaurant and the hero hands the waiter $3. But the best part is when he says, "Keep the change."
American television, for all its faults, still has a black presence in shows and even in commercials. You'll see black people in automobile ads, black women starring on their own television shows. We don't see that on British television.
Most Europeans like the American manner of living. They've been exposed to the U.S. through American television shows.
I didn't watch a lot of American television growing up. I just liked to read a lot and watch movies - movies, movies, and more movies. My family used to make fun of me because I'd like every movie I saw.
In movies and television shows, there has never been a really good Chinese lead. So often the Chinese look like they are very scared and shy.
I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.
To be involved with movies that become kind of cult classics... I've been very fortunate. 'The Warriors' is certainly a cult classic, and 'Xanadu' is, to a certain degree, a cult classic as well.
When I can't sleep, I'll start thinking about how many shows I've done, count up the number of television shows and movies.
I'm still asked a great deal about 'The Wicker Man' because it's become one of the great cult movies of all time. That's the story of my career, really, making cult movies. And I've always said it's the best film I've ever made.
I like American late-night shows, like Trevor Noah, John Oliver and Bill Maher - I've got them all on series link.
I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.
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