A Quote by Orson Welles

Ecstasy is not really part of the scene we can do on celluloid. — © Orson Welles
Ecstasy is not really part of the scene we can do on celluloid.
Otherwise [digital revolution] hasn't changed my way of filmmaking, I'm not nostalgic in postulating we should still make films on celluloid. I love celluloid but I don't need to continue on celluloid.
There is such a thing as everyday, ordinary, vulgar ecstasy; the ecstasy of anger, the ecstasy of speed at the wheel, the ecstasy of ear-splitting noise, ecstasy in the soccer stadium.
Whether it's one scene or 15 scenes in a film, whether it's the lead or a cameo part, if I don't find it interesting, I tend not to do it. You never really know what it is. It could be a one-scene part. I remember I read the one scene in Crash and was asked to do it. I was like, "Absolutely!" There's no formula for how something has to be. I always try to keep it that way.
The movies are celluloid hemorrhoids. No, worse: They're celluloid Bon Jovi.
I'm an emotional actor. When I'm doing a scene, I really believe it. I live the part as long as I'm in the scene.
Sometimes the scene is a sad scene but you have to play it with a laugh to find out that that doesn't work or that there's really a part of that in it, and that's what rehearsal is for, to take that time.
I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world
I'm a visual filmmaker so the camera is a big part of my storytelling tool and it's something that I really rely on to tell a scene or create the suspense that I need and create the emotion of a scene or a sequence.
I'm UCB trained - I came up learning about game, which is a really big part of the Upright Citizens Brigade theater. They teach you about game, and game in a scene is what makes the scene funny. And oftentimes, it's the character - this is really improv dorky stuff.
This is a career about images. It's celluloid; they last for ever. I'm a black woman from America. My people were slaves in America, and even though we're free on paper and in law, I'm not going to allow you to enslave me on film, in celluloid, for all to see.
We've been really fortunate - part of Factory Records, part of the Manchester scene that went worldwide.
If by happiness you mean ecstasy ... Yes, I've known ecstasy, and it's a blessing to be able to say it because those who can say it are very few. But ecstasy doesn't last long and is seldom if ever repeated.
I think it's much harder to have a long dialogue scene than an action scene. An action scene is long, but it's not really hard. It's kind of boring, really. It looks good at the end, but to shoot it, it's not the most exciting thing.
Just be what it is that you are, and that is just fine. You don't have to be what you're not in any way. Live that and live that fully, and that is where you discover ecstasy. You can't really have ecstasy as something other than yourself
The universe is ecstasy. We have many other ways of perceiving infinity. And when you perceive life through these other modes, that's when you see that the universe is ecstasy, That's when you experience its ecstasy.
I don't really feel part of the pop scene.
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