A Quote by Orson Welles

The only reason for doing a play is to make a statement about it, and by that I don't mean a conceit of the producer. — © Orson Welles
The only reason for doing a play is to make a statement about it, and by that I don't mean a conceit of the producer.
Animism is not a belief system, but a worldview: The world is a sacred place and we are part of it. The factuality of this statement is not the issue. To say that the world is a sacred place is to make a statement about values, not facts. It’s a statement about what you mean by ‘sacred,’ just as ‘Money can’t buy happiness’ is a statement about what you mean by ‘happiness.’ To put it all very simply, animism isn’t a belief system, it’s a value system.
No producer should revive a play unless they have a very good reason for it. I think there's quite enough about a good play to make it available to new audiences.
I only want to make movies that I believe in, that I care about and that mean something to me. At the end of the day, that's the only reason I'm doing this. Hopefully I can continue to grow and challenge myself to try to do things I've never done before, and make different kinds of movies that still maintain what makes the film my film.
But the conceit of one's self and the conceit of one's hobby are hardly more prolific of eccentricity than the conceit of one's money. Avarice, the most hateful and wolfish of all the hard, cool, callous dispositions of selfishness, has its own peculiar caprices and crotchets. The ingenuities of its meanness defy all the calculations of reason, and reach the miraculous in subtlety.
I don't live in the past. I don't play my old records for that reason. I make a statement, then move on to the next.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
The only reason to make a million dollars in this business is to tell some fat producer to go to hell.
That's really important in a producer - a producer that can step up and play a keyboard, play a bass, play a guitar, and help you with things instead of just saying, 'I think this could be better.'
If you're going to make a statement, I think you should write it in prose and make a statement. If you have characters who are mouthpieces for a point of view, then you have to be very clever about disguising it.
The fact that there's all these really messed-up people on the Internet is not a statement about the Internet. It is a statement about those people and what they do, and we need to basically say that you guys are doing something unacceptable and not generalise it into a comment about 'this is what's happening to the blogosphere.'
Every thought, emotion, and action is a statement about who we are, and who we are becoming. Why not make this statement 'On Purpose'?
It doesn't sound like there was time for the word to be there. On the other hand, I didn't intentionally make an inane statement... certainly the 'a' was intended, because that's the only way the statement makes any sense.
This might be a conceit of government officials, but there's the idea that maybe you can make a difference. It's a conceit. Maybe it's unhealthy. We all believed we could make a difference.
A sweeping statement is the only statement worth listening to. The critic without faith gives balanced opinions, usually about second-rate writers.
The only statement I care to make about the Protocols is that they fit in with what is going on.
Our vanities differ as our noses do: all conceit is not the same conceit, but varies in correspondence with the minutiae of mental make in which one of us differs from another.
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