A Quote by Orville Wright
One of the Life Saving men snapped the camera for us, taking a picture just as the machine had reached the end of the track and had risen to a height of about two feet.
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During the fiscal year ending in 1861, expenses of the federal government had been $67 million. After the first year of armed conflict they were $475 million and, by 1865, had risen to one billion, three-hundred million dollars. On the income side of the ledger, taxes covered only about eleven per cent of that figure. By the end of the war, the deficit had risen to $2.61 billion. That money had to come from somewhere.
The first track is the end of a string. At the far end, a being is moving; a mystery, dropping a hint about itself every so many feet, telling you more about itself until you can almost see it, even before you come to it. The mystery reveals itself slowly, track by track, giving its genealogy early to coax you in. Further on, it will tell you the intimate details of its life and work, until you know the maker of the track like a lifelong friend.
Bringing my two children up while writing was just a part of life. I'd much rather have had their interruptions than been stuck in a sterile office. This way, I had welcome distractions. I had to load the washing machine, I had to go out and buy lemons.
I remember the beginnings of the Kurzweil reading machine. I was one of the first to meet Ray Kurzweil and purchase the reading machine in Boston. To think that the machine was at least two and a half large suitcases at the time, and now you have a camera and it takes a picture and you have sound.
I saw a delicate flower had grown up two feet high
between the horses' feet and the wheel-track.
Which Dakin's and Maynard's wagons had
Passed over many a time.
An inch more to the right or left had sealed its fate,
Or an inch higher. Yet it lived and flourished,
As much as if it had a thousand acres
Of untrodden space around it, and never
Knew the danger it incurred.
It did not borrow trouble, nor invite an
Evil fate by apprehending it.
About the time of the expulsion of the Tarquins from Rome, the Etruscan power had reached its height.
I always have traveled with a camera throughout my life, but I always had my old 35mm film camera. When I was training to go into space, the only equipment there was a digital camera. I went through a fast-track class on Earth. It actually was fun, though I'm basically a dinosaur with computers.
For me, personally, life in South Africa had come to an end. I had been lucky in some of the whites I had met. Meeting them had made a straight 'all-blacks-are-good, all-whites-are-bad' attitude impossible. But I had reached a point where the gestures of even my friends among the whites were suspect, so I had to go or be forever lost.
It was so ridiculous. We were just sitting there, thinking about how ridiculous it was because we literally had stray hairs on us. The camera couldn't pick up all the details, but we had some crazy things. We had huge slabs of fat on us and bits of nails and hair. It was disgusting. But, there's also the beautiful parts of it.
Many years ago, I was in a Broadway show and I had to wear a fox fur around my shoulders. One day my hand touched one of the fox's legs. It seemed to be in two pieces. Then it dawned on me.... her leg had probally been snapped in two by the steel trap that had caught it.
Camera 1.0 was film. Camera 2.0 was digital. 3.0 is a light-field camera that opens all these new possibilities for your picture taking.
Only a very small proportion of us take those excesses with us into later life. In the age before everyone had a camera, it was worthwhile, in my opinion, to record those excesses. Sometimes, many times actually, the young people I photographed were only dressed that way for one night; that one night that they got snapped by me.
But Humanity, in its desire for comfort, had over-reached itself. It had exploited the riches of nature too far. Quietly and complacently, it was sinking into decadence, and progress had come to mean the progress of the Machine.
The simple act of having a camera, not a cell phone, but a camera-camera, there’s a kind of a heightened perceptional awareness that occurs. Like, I could walk from here to the highway in two minutes, but if I had a camera, that walk could take me two hours.
I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light; I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniques.
When I came to M.I.T. in 1960, only 4 percent of the students were female. Today, it's about 40 percent of undergraduates. At Lincoln Lab, they had 1,000 men and two women. But we had a very good boss, and he treated us just like everybody else.
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