A Quote by Ory Okolloh
If you know anything about Ethiopia, they are very security conscious, a very closed environment. It's a repressive place were journalists and bloggers are arrested all the time.
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I think Dexter is a man who ... a part of himself is very much frozen, or arrested in a place that is pre-memory, pre-conscious, pre-verbal. Something very traumatic happened to him, he doesn't know what that is. And I think on some level he wants to know. He denies his humanity, he describes himself as someone who is without feeling, and yet I think that he maybe suspects - in a way that maybe isn't even conscious yet when we first meet him - that he is in fact a human being.
When the September 11th attacks happened, only about a year later, the crypto community was holding its breath because here was a time when we just had an absolutely horrific terrorist attack on U.S. soil, and if the NSA and the FBI were unhappy with anything, Congress was ready to pass any law they wanted. The PATRIOT Act got pushed through very, very quickly with bipartisan support and very, very little debate, yet it didn't include anything about encryption.
Who are these bloggers? They're not trained editors at Vogue magazine. There are bloggers writing recipes that aren't tested that aren't necessarily very good, or are copies of what really good editors have created and done. Bloggers create a kind of a popularity but they are not the experts. We have to understand that.
I've been to Africa many times in the past 20 years, but I can't believe this is the first time since the very first Red Nose Day, that I've been back to Ethiopia. The last time I was here was just after the famine and it was crazy, there were people all over the place, kids without families, aid workers, camera crews.
Gothic in its purest sense is actually a very powerful, twisted genre, but the way it was being used by by journalists - 'goff' with a double f - always seemed to me to be about tacky, harum-scarum horror, and I find that anything but scary. That wasn't what we were about at all.
I don't know if I'd do well in a structured, corporate environment. I'm very open. I share everything. I don't care. I don't have anything to hide. I'm very transparent that way.
I believe that the environment at home has been fairly secular and liberal. And most times, it comes from my mother. Our culture is very strong, but at the same time, she's a very free-spirited person. She's an artiste, and that's the environment I grew up in, where films and music were respected and meditated upon.
Were all bloggers and punks and rebels with cameras. There is absolutely no respect for career journalists anymore.
There's something about prime time television and the way the song is going to come off on the air. I'm very concerned, very self-conscious about that.
Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.
I need to be in a stable environment right now in my career. What I mean by that is a place where I can play and not have too much pressure on me and a place I can develop. Monaco wanted me and did whatever they could to get me so I feel very very good about that.
If you really watch 'The Voice' and follow Adam, he's very ADD. He's kind of one place here, and then he's over here the next minute; he's kind of all over the place. When it comes down to being very serious, and especially when we were talking about the finale song, he's actually very serious, and he's a very good listener.
I was happy that at home we were a closed circle and then we went out playing chess and saw the world. It's a very difficult life and you have to be very careful, especially the parents, who need to know the limits of what you can and can't do with your child.
I was living in New York at the time of the 9/11 attacks. And I remember, you know, in those weeks that followed, when none of us spoke about anything else really, a number of friends of mine, people I knew, including very experienced journalists, I heard them saying things like, well, now we understand what happened to you.
I spent time living in Ethiopia, learning about the cultural importance of coffee and its roots in Ethiopia.
One of the scariest things to me was, I really feel like I'm a pretty even-keeled person with a good outlook and respect level, but in that environment, deep within the character, you see how easy it is to go to that place because you're one-upping each other and it's this heavy environment filled with young men trying to make an impression. It's dangerous. It's something that I became very conscious of afterwards.
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