A Quote by Ory Okolloh

People thought I wrote in a very 'masculine' way. — © Ory Okolloh
People thought I wrote in a very 'masculine' way.
When I was very little, say five or six, I became aware of the fact that people wrote books. Before that, I thought that God wrote books. I thought a book was a manifestation of nature, like a tree.
Actors are magical people. They can take words you wrote and say them in a way that, although you thought the line was good when you wrote it, it's fantastic when it comes out of their mouth.
My style comes from a very masculine point, and Valentino has a very masculine fit. It's built for corn-fed guys like me.
When I was very little, say five or six, I became aware of the fact that people wrote books. Before that, I thought that God wrote books. I thought a book was a manifestation of nature, like a tree. When my mother explained it, I kept after her: What are you saying? What do you mean? I couldn't believe it. It was astonishing. It was like--here's the man who makes all the trees. Then I wanted to be a writer, because, I suppose, it seemed the closest thing to being God.
I thought Charlize Theron was awesome in 'Mad Max,' and that was a very masculine kind of hero.
I was very worried about being unattractive because I think I look quite masculine. Sometimes I feel more masculine than feminine and I don't like it.
Everyone has a masculine and feminine side; masculine qualities and feminine qualities. We've all got these sides to ourselves. And clothes can tell that story. People would think this is very unsympathetic, but I would always say to people, you don't actually need to go through with an operation, can't you just be? You are who you are! But then people say to me, "Oh, you're really dreadful, how would you know?".
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
In general, I hate films that are overtly either very masculine or very feminine, you know? The same way that I don't like a war movie about soldiers smashing people's heads. But a chick flick I like would be Cassavetes' movies. 'A Woman Under the Influence,' 'Husbands.'
My style very much leans towards the masculine, but I think I am feminine in it - I like the feminine body in masculine shapes. The androgynous look suits me.
Read this and thought of you: Through joy and through sorrow, I wrote. Through hunger and through thirst, I wrote. Through good report and through ill report, I wrote. Through sunshine and through moonshine, I wrote. What I wrote it is unnecessary to say. ~ Edgar Allen Poe
I wrote '('Til) I Kissed You' about a girl I met in Australia. Her name was Lilian, and she was very, very inspirational. I was married, but... I wrote the song about her on the way back home.
When I wrote 'East,' I wanted a completely earthy, very sexy, very violent play, so I wrote in verse. I found it not only satisfying but releasing. It gave me an opportunity to play with language. We never played the characters like the yobs that they are, but rather in a slightly heightened way.
I wrote that letter, and the one to Nixon. And I wrote more letters, and I thought it might be a magazine article. At that time I sent it to Esquire and Playboy, but anyway, I kept writing, and all of sudden I had enough and thought, well maybe it is a book.
I've come from a very masculine country to a feminine country. England was very masculine; people went from England to abroad, and they landed from above and they said "These are the gods you will worship, these are the crops you will grow, now go away and do it." Which is a manly attitude. Americans go abroad and they say, "Try not to quarrel so much", which is a feminine attitude.
He Wrote, Are you OK? I told him, My eyes are crummy. He wrote, But are you OK? I told him, That's a very complicated question. He wrote, That's a very simple answer. I asked, Are you OK? He wrote, Some mornings I wake up feeling grateful.
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