A Quote by Ory Okolloh

I wish I had not believed that my work would speak for itself; the working world requires a bit more than that. — © Ory Okolloh
I wish I had not believed that my work would speak for itself; the working world requires a bit more than that.
It's the idea held by generations of citizens who believed that America is a constant work in progress; who believed that loving this country requires more than singing its praises or avoiding uncomfortable truths. It requires the occasional disruption, the willingness to speak out for what's right, and shake up the status quo.
My mother, she's the one who's gifted with language. She can speak Japanese, of course, Tagalog, which is a Filipino dialect, Spanish as well as English. And I speak a little bit Japanese because I've had the opportunity to work alongside Japanese people. And a little bit of German, a little bit of Portuguese because of work. A little bit of French because of work. But then, if you asked me to carry-on an everyday conversation, I would fail miserably.
I know that I'm carrying a bit of a weight on my shoulders of what I do represents more than just myself as a director. I wish that wasn't true, but it is. It makes me think about doing work that I believe in and that I believe I can do well, probably even a hair more than I would otherwise.
Republicans - Reagan but also George W. Bush - believed in freedom, and they believed in America's role. To have the governing party speak in terms of a zero-sum world, or speak in terms of America's purpose as no more than grabbing the largest share possible in the short run, goes against our foreign policy tradition that goes back to 1900, really.
I speak a little bit of Italian, yeah. I understand more than I speak. I speak more of a dialect; my mum's from Naples and my dad's from Sicily, so it comes out little a bit of a cocktail of the Italian language.
My journey into the world of work after that was a bit more piecemeal than I would have liked, and it took a while to find the place in the world where I truly felt I belonged.
I do not wish to comment on the work; if it does not speak for itself, it is a failure.
I wish I would have been more of a maker. I wish I would have been more of a writer. I wish I would have not subsumed my will to every boy I had a passing fancy about. That's the part that is horrifying.
I wish the night would end, I wish the day'd begin, I wish it would rain or snow, or the wind would blow, or the grass would grow, I wish I had yesterday, I wish there were games to play.
I should have had more faith in my talent. I think I would have gotten to achieve more, earlier, had I believed in myself. But I let other people take credit for my work.
I think that I would really like at first for the art to speak for itself. I don't see the need for a lot of personal information about my past or who I am. I would rather the personal side of it just be in the concepts and the genuine feelings that I filter through my work. I know that it's inevitable that people can find whatever they want about me. Once I've had a chance to create a language and a world with my art, then I'm more comfortable sharing that information.
What I wish I had, is that I wish I was a little more Greek, in that I wish I could lose my North American driven attitude and that I could be a little bit more poetic and laissez faire.
Jack believed in something—he believed in white witches and sleighs pulled by wolves, and in the world the trees obscured. He believed that there were better things in the woods. He believed in palaces of ice and hearts to match. Hazel had, too. Hazel had believed in woodsmen and magic shoes and swanskins and the easy magic of a compass. She had believed that because someone needing saving they were savable. She had believed in these things, but not anymore. And this is why she had to rescue Jack, even though he might not hear what she had to tell him.
I probably would like to do more than I do, because I love working, but I can't work more than I work because I have to do some facetime with the family, and the work that I do is just all-encompassing.
When I speak to people I worked with when I was young, they constantly tell me they wish their students would work half as hard as I did. I was always one to get a lot more out of myself, seeing the glass as half-empty rather than half-full.
Some would argue the opposite: that with better pitches you should be able to express yourself, a bit like Kevin Pietersen does. Looking back, I wish I had been a bit more like that. But I always had a fear of failure, a fear of getting out, so I tried to eliminate risk from my game.
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