A Quote by Osamu Dazai
All I feel are the assaults of apprehension and terror at the thought that I am the only one who is entirely unlike the rest. It is almost impossible for me to converse with other people. What should I talk about, how should I say it? - I don't know.
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They tell me what to wear, how to look, what I should say, how I should be. Until recently I had given into that pressure, I lost sight of who I was. I listened to opinions of people and I tried to change who I am because I thought others would accept me for it. And I realized I don't know how to be anything but myself.
Peeta, how come I never know when you're having a nightmare?” I say. “I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says. “You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down. “It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.
It's botherin' me, man. You know, you can't say this, you can't say that, I'm like, well, how am I gonna talk about the world? You know? I mean I need to talk about something to you all, can I - can I do it? Can I talk to y'all? I mean, I hope the kids are in bed, you know, because I got to talk, y'all.
Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form.
People should debate. They shouldn't be afraid to talk. You should listen to what other people think and how they make decisions. There should be an exchange of ideas and opinions because that's how we learn.
We stand for organized terror - this should be frankly admitted. Terror is an absolute necessity during times of revolution. Our aim is to fight against the enemies of the Soviet Government and of the new order of life. We judge quickly. In most cases only a day passes between the apprehension of the criminal and his sentence. When confronted with evidence criminals in almost every case confess; and what argument can have greater weight than a criminal's own confession.
People sometimes focus on the red button hot topic issues and I'm, like, you know, who cares about priestly celibacy? I'm thinking about how am I forgiving my enemies? How am I turning the other cheek? How am I loving my neighbor as myself? To me that's 10,000 times more difficult than to say should priests be married or not be married? I'm, like, I think we're wasting all out energies on the wrong thing. Let's work on the most difficult stuff.
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
But there still prevails, even in nations well acquainted with commerce, a strong jealousy with regard to the balance of trade, and a fear, that all their gold and silver may be leaving them. This seems to me, almost in every case, a groundless apprehension; and I should as soon dread, that all our springs and rivers should be exhausted, as that money should abandon a kingdom where there are people and industry.
I just constantly tell myself that I should be the only one to define my worth and what I'm capable of and how I perceive myself. And that I should never source that worth from other people, especially strangers on social media. They don't know who I am, the length of my journey, who I am as a person.
Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous?
I trained as a dancer when I was much younger, for a large amount of time, like 6 or 7 years. Not to be a ballet dancer, actually, but I thought it was a complement for an actor. I thought that actors should know how to move, should know how to juggle, should know how to do acrobatics.
I don't comment on everything; I don't comment on things I don't know enough about. I feel people should talk about something only if they feel strongly about them.
I know that it is impossible to talk about my work. And since it's impossible for me or anybody else to talk about my work, I feel I might as well talk about it.
Along with some things I've seen in my own life, it showed me that depression needs to be treated in the same way that other medical conditions are. We don't necessarily think about it in the same light, but it should be taken seriously and people should get help. And we should talk about it and not be ashamed about it.
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
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