A Quote by Oscar
My father loved to play the game, he never became a professional but when he was younger everyone would say he was good enough and when I heard people talking about him, I wanted to emulate him. So I started to play.
Related Quotes
That's another thing about my father. He made me very conscious of the fact I wasn't very good and I had to prove to him that I was good. And that hung with me, and I always wanted to play golf with him and show him. He said Never, Never tell anyone how good you are. Show them!
Tim Duncan is one of the greatest power forwards in the history of our game. Being younger and just watching him play, winning championships, that was always cool to be able to play against him.
I could never get bored talking about him, he was my favourite player. I loved watching him because he did everything you'd want to see in a footballer. He could dictate the pace of a game; he could take it by the scruff of the neck and control it; he could score decisive goals; he could make the killer pass; he could switch the play, open teams up, slow the game down, quicken it up; whatever was needed. He would take the ball anywhere on the pitch He was such a selfless footballer, too Scholesy was the man, all right.
I would never have wanted to play with Magic Johnson, I would never have wanted to play with Michael Jordan, I would never have wanted to play with Karl Malone or John Stockton in my prime. We wanted to play against the Shaqs, the Kobes.
Because my dad was often gone, I never wanted to do anything that would make him stay away even longer. I became extra careful about what I said and how I said it, afraid he'd think I was angry or didn't love him. And the truth is, I was angry. I missed him and wanted him there.
Rattigan's world demanded unwavering trust in principles, loyalty, and virtue. At the time of this play - Rattigan was writing this play in 1947 about an incident that took place in 1914 - should a boy say he didn't do something, his father would believe him; a British father would take the defense of his son's honor to his grave.
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
When I was small, I was the same as everyone else. I used to play in a small council estate nearby. But it's really my family who taught me. I started watching my dad play from the age of two. I wanted to be like him.
My father left his piano at the house when he left, and I wasn't allowed to play it when he was there because I wasn't as good as him. So when he left, I was determined to get as good as him, and I taught myself how to play music, and I just stuck with it, and I did it all the time.
I want my son to never know the mommy who would rather watch him play basketball than play with him.
My father, Jimmy Walker, was the first pick in the 1967 draft, but I never met him. He passed in 2007. I found out about him in middle school. I was old enough to understand who he was, where he went to college, and what his game was about. Older players like Bill Russell and Kareem Abdul-Jabbar have come up to me to talk about him.
It was tough at the time but when I was younger, my Dad. I would say my Dad, because without him I wouldn't have been here. I mean it was tough for me because he was really demanding. With him, it was never enough, you know, anything I did was never enough.
Since I was five or six years old, I just wanted to be a professional football player. I wanted to play against the best players. I wanted to play in big stadiums in front of big crowds, and I was desperate to play for my country one day, and thankfully, I was lucky enough that happened.
After music, trees are my passion. My great-grandfather was a forester, so maybe it is genetic. My father would take me for walks in the forest and sometimes I would play truant with him. 'You won't learn anything in a communist school, my boy,' he would say. He loved trees too.
I was at La Fenice opera house back in 1991 with friends, and we started talking about a conductor whom none of us liked. Somehow there was an escalation, and we started talking about how to kill him, where to kill him. This struck me as a good idea for a book.
That's what makes characters interesting. If Sherlock [Holmes] had started out being a straightforward man, we wouldn't be talking about him now. If he became one, that would be interesting. But you have to give him somewhere to go, as [Conan] Doyle did.
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