A Quote by Oscar de la Renta
I come from a very warm island, where colors are very important, very vibrant, and obviously the color has been an influence on my work.
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Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.
My skin - very Mexican, very Oaxaquenan, and very human, from the color of my land and the diversity of its colors.
I am very partial to Lucknow Chikankari work. My colors that I love to work with are ivory based colors, to make it more festive I throw in Mukesh embroidery which brings the color alive.
Berlin is a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way.
I was very much in love with my mother. She was a very warm and a very cold woman. When she was warm, I tried to come close to her. But she could be very cold and rejecting.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
To grow, to become spiritually alive, and vibrant, you really have to struggle. Without struggle, you do not move at all...I would appreciate it if readers who come to my work would try very, very, very hard not to think narrowly as we are taught to think in America.
My house is very serious. It's a lot of antiques, and the way I decided to liven it up is, I paired it very vibrant colors and - bugs... I think that they're pretty. And I think that they're fascinating and they're natural.
My house is very serious. It's a lot of antiques, and the way I decided to liven it up is, I paired it very vibrant colors and - bugs I think that they're pretty. And I think that they're fascinating and they're natural.
Another thing that you really do when you play, that you're supposed to do, is colors. You know, you cannot play with one color. If you play with one color, again, it's like watching a beautiful painting, a drawing, but it's all in blue or it's all in red. May be very nice, but not very interesting.
I'm thinking about doing dusty colors - we definitely are doing as much color as we can. It seems that fashion is back on track with color - I hope. It's been very black for awhile.
Traditionally, digital projects, when you project them, they get really washed out. It's complicated stuff with gamma, but basically your blacks get very milky and the colors get very weak, and we made so many different versions of it to just pump more color into it, so it would look just as good in the theater as it does on your screen at home. And color was my constant whine. It needed to be very oversaturated.
I just have to deal with it [injuries] if and when problems happen. It's obviously a concern and I've been very careful with my training, making sure I warm up and warm down before everything and not pushing myself too stupidly.
I'm obviously very involved with my own charity and foundation that I work with. Obviously, I'm very passionate about that.
Obviously, I've been very lucky in general in my career, but I feel that I've been very lucky in terms of having directors come along at the right times who have taken me to the next level of where I needed to be.
Akon is a very talented songwriter to work with. His melodies, they're just insane. It's funny, I think about him a lot when I'm doing my melodies because he's so simple, and he's just been great. He keeps me on my feet, very grounded, but he also puts me on a silver platter, which is always very nice. So it's been an incredible influence. It's like every time you work with somebody that's better that you are, you become greater.
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