A Quote by Oscar de la Renta

Regardless of how good or bad a collection might be, it's a letdown after the show is over. It's done. Something you've worked on for months is just over. — © Oscar de la Renta
Regardless of how good or bad a collection might be, it's a letdown after the show is over. It's done. Something you've worked on for months is just over.
Whatever you have in your show should be special, but not over the top to the point that it takes the focus away from the collection. After all, the clothes are the most important. But I don't see why I shouldn't do something that makes people smile: they are three weeks into fashion weeks, they are running all over the place, so there's no harm to coming to a show and being entertained. Of course, it has to work with the concept of the collection, it can be tricky but I know where to stop.
Writing's not precious to me. It's not a thing that requires specific environment. You know, it's my job. Just like anybody with a job, you have to do your job when you don't feel like it, regardless of how good or bad the conditions are, regardless of how good or bad you might feel on any particular day.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.
Everybody has done something about Marco Polo. It's the tiredest, most trite and worked-over subject in the world, and that was why it appealed to me, because I wanted to do something really new and different about something that had been worked over all these centuries, and I think I did.
There have been lots of stories written about all the hype over getting the genome done and the letdown of not discovering lots of cures right after.
Improvisation in general is good, and improvising material into themes, turning the material into something codified and repeatable, taught me scenic structure and dramatic gambits that work and things that are appealing both as a performer and an audience member, like you know, what does "want" really mean in a scene, and how do you achieve your want, and how is that expressed, and how do you achieve closure? Those are all things that I learned performing at the cabaret after just doing the same scenes over and over and over again over the years, with my own ability to change.
I've done so many interviews that I've gotten past the ego and the personality. I used to feel that there might be something missing, but a few years ago I realized that I was so causative over how the interview went that I was no longer concerned over the effects of the interview.
We didn't have reruns back then, so when the show ended we thought it was over. I'm overwhelmed by how long the show has been popular and by how many people still love it today. I still watch the reruns and just laugh! Here in Mount Airy they show the Andy Griffith Show at 3:30 in the afternoons and they call it "Andy After School", but the show wasn't just for kids, it was for everyone.
'Generations,' we slaved over for a year; we worked it over and over and over again, and in the end, it just fell short.
'24' is such a unique show. I've done a lot of television, but the real-time aspect - where we're shooting over 10 months and actually only doing one day - it's just crazy.
Immersion in a movie over months and months will give you what you just can't get in the same way over a four- or six-week period.
A good athlete always mentally replays a competition over and over, even in victory, to see what might be done to improve the performance the next time.
A career is measured over the course of the years, not moments. Over good decisions, over successes, not moments, failures, missteps, or bad comments. I learned that I needed to take a step back and look at my career not in that one moment that made me feel really bad, but what I had done not even in the past one or two years or last one or two hires, but that that career is built over many, many, many, many successive quarters and years and good decisions - never, ever made in that one moment where you felt really bad.
It just goes to show that what one person considers a "bad attitude" might actually just be total frustration over being pushed beyond the brink of one's mental and physical endurance.
I believe that you're great, that there's something magnificent about you. Regardless of what has happened to you in your life, regardless of how young or how old you think you might be, the moment you begin to think properly, this something that is within you, this power within you that's greater than the world, it will begin to emerge. It will take over your life. It will feed you, it will clothe you, it will guide you, protect you, direct you, sustain your very existence. If you let it! Now that is what I know, for sure.
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