A Quote by Oscar Hammerstein II

Berlin's great secret is that he says exactly what he means; sometimes he hits a gigantic line both musically and lyrically -- almost Wagnerian in its strength. — © Oscar Hammerstein II
Berlin's great secret is that he says exactly what he means; sometimes he hits a gigantic line both musically and lyrically -- almost Wagnerian in its strength.
If you're going through a difficult time, and there's a piece of music that speaks to you - be it musically or lyrically or both - you are almost always able to access that music. You're always able to sit down with it.
Even when I am forced to conform - we all are on many levels - that line is definitive. It says exactly what it means: Be an individual, you know? Be yourself.
Music critics think of lyrics first and don't consider melody but so many songs are lyrically depressing but musically great, and that's why they become classics.
Each one of us in Café Tacvba is a composer and we come to the group with songs written out, musically and lyrically. Occasionally, there's a collaboration between us. But each song is almost always written by one of us, and then we all figure out the arrangements. Up until now there hasn't been a moment where the composer explains the song and says, "I want to say this or that." It's always open for interpretation.
There's a great tradition among the English of writing about Berlin. It's kind of a state of mind, almost. That even translates in terms of music. A lot of people go to Berlin with the idea that it's a state of mind.
Strength, strength is what the Upanishads speak to me from every page. This is the one great thing to remember, it has been the one great lesson I have been taught in my life; strength, it says, strength, O man, be not weak. Are there no human weaknesses? - says man. There are, say the Upanishads, but will more weakness heal them, would you try to wash dirt with dirt? Will sin cure sin, weakness cure weakness? Strength, O man, strength, say the Upanishads, stand up and be strong.
I think what we tried to do lyrically, vocally and musically was to capture a sound.
It draws it's strength, this big secret, from the same root from which I draw my strength, both the good and the bad, because in the end, they cannot be separated.
Whether lyrically or musically, it reaches in there and grabs your soul. That's the stuff I gravitate toward.
For me there's always a line or two in a script, when you hit it you almost decide to do the whole movie off a line or two. You almost do it for the fun of getting to say a line or two like that. I don't have any specific plans, you know. I mean, if Seth Rogen calls with a great buddy pic, I'll be there.
When I'm playing comedy, I never do 'jokes.' Sometimes I'll deliver a line in a way I think is more likely to get a laugh, but all the best comedy is played straight. What's funny is the way it hits the world around it or the way it hits the other characters.
Attempting to define science fiction is an undertaking almost as difficult, though not so popular, as trying to define pornography... In both pornography and SF, the problem lies in knowing exactly where to draw the line.
It's always my mission to try to do something that hasn't been done before, whether that's musically, lyrically or in terms of mixing.
God gave me such great abilities, and sometimes that's a strength and sometimes it's not a strength. It's just the way it is.
Neel takes a sharp breath and I know exactly what it means. It means: I have waited my whole life to walk through a secret passage built into a bookshelf.
I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason.
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