A Quote by Oscar Isaac

The performances had to be live. When you play it back, you can see if the hands aren't really doing the right thing, and then the whole magic falls apart. — © Oscar Isaac
The performances had to be live. When you play it back, you can see if the hands aren't really doing the right thing, and then the whole magic falls apart.
My dad told me he knew where to find Zay. Which meant I had to cooperate with him....Do you see what we have accomplished together? The healing of souls with the magic you carry. We have healed souls in death. With light and dark magic.We? No, you stuck your hands in my chest and stole my magic and threw it at them. If you try that again, you won't have hands. Where's Zayvion? Okay, maybe I was a little rusty on the whole cooperation thing.
I was doing the wrong thing, at the time I thought I was doing the right thing. It's like if you're dealing with somebody who is high on drugs, they can look back at it and say, "Wow, I was destroying myself." But during the period, they think they're doing the right thing. You just have to let the smoke clear so you can see the whole picture.
The number of Pelosi allies who have come to me and told me to back off, that I'm not doing the right thing, is exactly zero. The number of members of the caucus who voted for her, who have checked to see who was listening and then patted me on the back and then said, 'Keep going Seth, you're doing the right thing,' is literally dozens.
Another hard thing that Gord Downie makes easy: singing ironically. If you don't do it right, you come off like a snarky asshole or the whole thing just falls apart on its own. He has the ability to imbue something ironic with great seriousness, which is the only way to really make it work.
No matter how your world falls apart-and honey, that's what happens: we all build ourselves a world, and then it falls apart-but no matter how that happens, you still have the kind heart you've had since you were a child, and that's all that really counts.
And the whole Oscar thing, that is just surreal: you spend months and months doing promotion, and then come back to reality with this golden thing in your hands. You put it in the office and then you just have to look at it sitting on the shelf. And, after about two weeks, you go: 'What is that doing there?'
One of the things I have taken for granted, in terms of how technology works in the world, is the people that develop it and get it out there don't really know what we are going to do with until we have really gotten ahold of it and it has become ubiquitous. And then we wind up doing things that its inventors never dreamed of and those things become the real change drivers. That is actually where the whole technocracy thing falls apart for me, because the people who invented it can't predict what we're going to do with it.
It's a risk-reward thing. If I do go out and try and play and get hurt again, then I'm definitely out. I've got no chance to go. If I'm ready, then great. It's getting better. I've been doing a lot more in the last couple of days. I've got a day off (on Wednesday) and then hope to come back in on Thursday and really see where I am at and test it out. Hopefully I'm going to play this weekend but, in reality, we'll see.
There are performers who have built their whole career doing magic on TV and can't really perform live at all - don't really have jobs and skills.
If you don't understand something, break it apart; reduce it to its components. Since they are simpler than the whole,you have a much better chance of understanding them; and when you have succeeded in doing that, put the whole thing back together again.
That's something Mary Lou Williams used to tell me: If you're not feeling right about what you're doing and you play a minor tune it all comes back, falls into place. I don't know if that's true, but I do it.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs
Restaurant kitchens are highly pressurised environments, with lots of young men, and that means one thing: testosterone. It's not brutal - it's military. It is regimented, tough. People are put into compartments and have to do exactly what they're told or the whole thing falls apart.
One way can be learned by starting to see the magic in everything. Sometimes it seems to be hiding but it is always there. The more we can see the magic in one thing, a tiny flower, a mango, someone we love, then the more we are able to see the magic in everything and in everyone. Where does the mango stop and the sky begin?
I love the percussion. It's a right brain, left brain thing. There are different beats, but cooperating together. It's your whole body doing it, you're doing the snare drum and the high top with your hands and the bass drum with your foot. You're this whole motion machine.
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