A Quote by Oscar Isaac
I think it's good to be a little more fearless in saying what you feel. In not being scared of the repercussions of that.
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Being scared is really a good thing. It's being scared of being scared that's bad. Being scared of walking through your fear, going to a place of true creativity - that's what an artist is, that's what he does. If you do that, then being inspired by your contemporaries or people from the past is really great.
One of the reasons why I fought for my roles is that I think there are so many things about them that are just human, but people like to label them as weird or bad or wrong because they're scared of them. I don't consider them bad - they're girls. They're going to make mistakes, but the films show the repercussions and show that they're going to learn. A lot of people are made to feel bad for being sad, so on top of already being unhappy, you're gonna hate yourself for it.
No real fairytale scared me, but Freddy Krueger did. 'Nightmare on Elm Street' scared the living hell out of me, but no fairytale. Maybe 'Hansel and Gretel' a little bit when they were walking through the forest and they met the witch. But I liked being scared, I really enjoy being scared.
I would urge the government to allocate more funds toward fighting cancer. My own situation, it made me think. It made me think about the potential of dying. I wouldn't say I was scared. I'm more scared of how it will happen than of it happening. I'm not scared that I'm going to die. I think of how I'm going to die ... I don't want to linger. That scares me a little. The idea of lingering.
Being fearless precisely when you are most scared is the best hack.
I think people resist feminism because they're scared. I think for women, they're scared of being picked on or of being called out. I hear from a lot of young women, you know, I don't want to call myself a feminist because I don't want to get in an argument with someone. And it's just not cool; like it's not a cool thing to be associated with. There's no benefit to saying that you're a feminist.
With that being said, you are a Democrat. You are saying, "Let's cut and run." And I have to tell you, I have been nervous about this interview with you, because what I feel like saying is, "Sir, prove to me that you are not working with our enemies." And I know you're not. I'm not accusing you of being an enemy, but that's the way I feel, and I think a lot of Americans will feel that way.
I was never really certain why he scared the bejesus out of me. Nothing scared me growing up. I’ve been playing with dead people since the day I was born, so it’s good thing, yet the Big Bad scared me. Which brings me to the reason I called.” “Which was to give me nightmares for the rest of my life?” “Oh, no, that’s just a plus. Why was I so scared of him?” “Hon, for one thing he was this powerful, massive, black smokelike being.” “So, you’re saying I’m a racist?
I guess after the whole success with 'Lean On' - me being introduced into this more mainstream audience - I was a little scared of being my true self, and being vulnerable and being gritty.
I've never been much of a craftsman, in an educated way. But I think just the experience of writing makes the avenues I follow a little more efficient in some ways. At the same time, when you're young, you're a little more fearless, and there's less of an internal critic.
To me, Fearless is not the absense of fear. It's not being completely unafraid. To me, Fearless is having fears. Fearless is having doubts. Lots of them. To me, Fearless is living in spite of those things that scare you to death.
It's amazing how much of a bodily experience being scared is. It doesn't take very long of hyperventilating to feel like you're going to pass out. It's one of those things where being scared is more of a physiological response that you can pretty easily manipulate. So in those types of scenes, it just takes a lot of energy.
I do not try to play a role. I feel good being myself and saying what I think.
When I heard that 'Roots' was being remade, my first response was, 'Seriously?' I was a bit skeptical. Then I had an audition in early 2015. I didn't know how to feel about it. I was a little scared of the responsibility of telling the story again with the weight of the first one behind me - I was scared of comparisons.
There are psychological repercussions to illness and we need a little more help to get through the effects not only on the afflicted but on the family. And I think there's even a place for humor in that.
We don't discuss this issue [conversations with Russia] as a government, but we discuss the repercussions, which is more important because sometimes repercussions could be more destroying than the strike itself.
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