A Quote by Oscar Isaac

There's very few people - like Shakespeare - who, no matter what, were gonna do what they did. For the rest of us, there's a lot of events that have to happen in order for things to end up the way they are.
Shakespeare is the outstanding example of how that can be done. In all of Shakespeare's plays, no matter what tragic events occur, no matter what rises and falls, we return to stability in the end.
Shakespeare is the outstanding example of how that can be done. In all of Shakespeare's plays, no matter what tragic events occur, no matter what rises and falls, we return to stability in the end.
It doesn't matter who the candidates are. It doesn't matter the campaign. You know that's gonna happen. The Washington Post is gonna do it, the New York Times is gonna do it, the three networks gonna do it, CNN's gonna do it, MSNBC gonna do it, all the newspapers are gonna do it. For the vast majority of them. There are some exceptions. That sameness ends up being its own authority. If everywhere you look in the media tells you the same thing, you don't have to research.
In chess, you gotta come up with a strategy. I made a lot of plans in my life. 'I'ma do this, I'ma do that, this is gonna happen, that's gonna happen.' And a lot of stuff don't go as planned. You really gotta act on events as they unfold. That's how I compare chess to life.
I don't believe, folks, that the media people you see on TV every day from NPR to CBS to ABC to NBC to wherever are ever gonna admit they're irrelevant, and they're not gonna start acting like it, and they're never gonna say, "Gee, you know what? We might have to alter the way we're -" It isn't gonna happen, even if it means the end of them.
Donald Trump gets things done. That's all there is, getting things done, accomplishing objectives. And you watch. The reaction to Trump is, "We can't do it that way. This is not the way we do it. That's not the way it's always been done." It's almost cliched, but that is what I expect is gonna happen, and the Democrats, I think, are gonna end up falling even flatter on their face than they have to date because they still are living in a state denial.
Flying has always been to me this wonderful metaphor. In order to fly you have to trust what you can't see. Up on the mountain ridges where very few people have been I have thought back to what every flyer knows. That there is this special world in which we dwell that's not marked by boundaries, it's not a map. We're not hedged about with walls and desks. So often in an office the very worst thing that can happen is you could drop your pencil. Out there's a reminder that are a lot worse things, and a lot greater rewards.
Very few things happen at the right time, and the rest do not happen at all. The conscientious historian will correct these defects.
I think of events like the Challenger and 9/11 - events that move us so much that we never quite get over them. So it's important to go back and relive those feelings in order to remember how important those events were to us.
It is to be remembered that all art is magical in origin - music, sculpture, writing, painting - and by magical I mean intended to produce very definite results. Paintings were originally formulae to make what is painted happen. Art is not an end in itself, any more than Einstein's matter-into-energy formulae is an end in itself. Like all formulae, art was originally FUNCTIONAL, intended to make things happen, the way an atom bomb happens from Einstein's formulae.
The fact is I look at what's happening to this country, I look at the way China is just ripping us off, I look at OPEC the way they are ripping us off with the oil prices. I mean, people are gonna be paying six and seven dollars a gallon for gasoline very, very soon; and you're gonna be up to $150 a barrel; and they wouldn't even be there if it weren't for us.
You have to listen to Trump in a nonpolitical way. When Trump starts talking on the campaign trail, "NATO's pointless, it's worthless. We're paying the lion's share and these people aren't contributing, and that's gonna end. This make America great, put America first." People think, "Wow! We're gonna get out of NATO, finally. He's gonna close up NATO!" No. If you listen very carefully, he was complaining that the other members were not doing their part.
I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.
Women: I liked the colors of their clothing; the way they walked; the cruelty in some faces; now and then the almost pure beauty in another face, totally and enchantingly female. They had it over us: they planned much better and were better organized. While men were watching professional football or drinking beer or bowling, they, the women, were thinking about us, concentrating, studying, deciding - whether to accept us, discard us, exchange us, kill us or whether simply to leave us. In the end it hardly mattered; no matter what they did, we ended up lonely and insane.
At the end of your career, you go, 'I'm gonna be able to retire undefeated and be one of the very, very few people in history to do it.' People were saying I should try and get to 50-0, but my number was 46 - that was it. I could have kept trying, but one loss would have spoiled everything.
I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.
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