A Quote by Oscar Levant

I'm a concert pianist, that's a pretentious way of saying I'm unemployed at the moment. — © Oscar Levant
I'm a concert pianist, that's a pretentious way of saying I'm unemployed at the moment.
I was much more interested in the orchestra than the piano, but I did become fairly proficient as a pianist and my teachers felt I had talent and wanted me to become a good concert pianist and earn my living that way.
My mother wanted me to be a concert pianist.
Elton John himself never seems pretentious but Bernie Taupin's lyrics often do - sometimes pretentious in a clever sort of way, but pretentious nonetheless. There is a conflict between Elton's and Bernie's personal styles, no doubt about it.
Then, for a hot three or four weeks I wanted to be a concert pianist.
I actually started as a concert pianist. I had a scholarship to the Julliard School of Music.
That's a very high goal to have, study eight hours a day to be a concert pianist.
I like Stevie Wonder as my favorite non-pianist pianist. I mean, I shouldn't call him a non-pianist, because he's really a great pianist, but he doesn't feature it that much - he uses his keyboards and his piano technique to support his great songs and so forth, but he can really blow.
Mathematicians - for what they do - are really poorly rewarded. And it's a very competitive field, almost as bad as being a concert pianist.
Originality doesn't consist of saying it first, originality consists of saying it in a way that is specifically tailored to the moment in which you are addressing - and at the moment when the complications arise, challenging the logic of what you're doing.
Music is entertainment, but I would like to be able to inspire the audience in a way that makes them leave, saying, "Wow, I just left with something I didn't have before going into this concert." I hope that people can leave either a live show or listening to our band record with a sense of peace, where the music was a moment of escape.
When I hear the words jazz pianist, that just means I have the skills to do most things. Because to be a jazz pianist, even to be a bad jazz pianist, you have to be pretty good.
My mother, Minuetta Kessler, was a concert pianist and composer who performed at Carnegie Hall and Town Hall.
By the time I was eight I was taking classical piano lessons and I wanted to be a concert pianist. But that didn't work out. I graduated from high school and my formal education ended.
I was a piano performance major at USC. I left before I graduated because I realized at some point I wasn't going to be a concert pianist and I was too attracted to popular music.
I'd say I'm really, really good for a 16-year-old, which is where I peaked. I'm impressive, but not classically trained, not a concert pianist.
I wanted to be a concert pianist at Carnegie Hall; that is what I wanted to do from really early on. I actually was the accompanist for a couple of the musicals I was in growing up.
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