A Quote by Oscar Micheaux

What I like best is a good story with a moral. — © Oscar Micheaux
What I like best is a good story with a moral.

Quote Author

It's all still about having a good story. You have to have a good story as your anchor, as your main focus. So for me, personally, I just like to concentrate on writing the best book I can, and if there's other stuff that goes along with it, that's awesome, as long as the story is central.
When you say there's too much evil in this world you assume there's good. When you assume there's good, you assume there's such a thing as a moral law on the basis of which to differentiate between good and evil. But if you assume a moral law, you must posit a moral Law Giver, but that's Who you're trying to disprove and not prove. Because if there's no moral Law Giver, there's no moral law. If there's no moral law, there's no good. If there's no good, there's no evil. What is your question?
The story itself should force its moral upon you. You find out what the moral is by writing the story.
And the moral of the story is that you don't remember what happened. What you remember becomes what happened. And the second moral of the story, if a story can have multiple morals, is that Dumpers are not inherently worse than Dumpees - breaking up isn't something that gets done to you; it's something that happens with you.
The moral of a fable is eternal. The moral of a story is temporary to a story.
I could hardly sit through 'Frozen.' There was an attempt to craft a moral message and to build the story around that, instead of building the story and letting the moral message emerge. It was the subjugation of art to propaganda, in my estimation.
To recover the fatherhood idea, we must fashion a new cultural story of fatherhood. The moral of today's story is that fatherhoodis superfluous. The moral of the new story must be that fatherhood is essential.
You learn to do your best writing on story rather than off story. Very often at the beginning of their careers, writers including me do their best dialogue writing off story - the best lines, the best observations - but they haven't got enough to do with the plot to stay in.
I always have the best story at the party. Anyone telling a story at a party is like, 'No, no, you've got to listen to my story!' I'm like, 'Step aside, everybody. I'm going to blow the doors off this place.'
I know a good story from a bad story. But when you have a really good story and they make it bad, I'll say to my wife, "Oh, tonight, I'm going to enjoy watching television because I did great, and wait until you see this." And then, they put it on and it's like - oh, that's not so good. They are fake news.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
I look at the most promising putative moral theories. I construct crucial thought experiments in areas where they give conflicting advice. I confront their conflicting advice with my own moral sensitivity, my moral intuition. I take the theory that can best explain the content of my intuitions as gaining inductive support through an inference to the best explanation.
The Bible is the chief moral cause of all that is good and the best corrector of all that is evil in human society; the best book for regulating the temporal [secular] concerns of men.
I usually make up stories for my kids.I like to tell them stories and make up any kind of crazy to involve them in characters. The kind of fairytales I don't like are the ones with happy endings, where there's just good and evil and things are perfect. I think when there's a good story for children it has a moral tale, so that's what I try to teach my kids.
The best advice is not to write what you know, it's to write what you like. Write the kind of story you like best - write the story you want to read. The same principle applies to your life and your career.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
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