A Quote by Oscar Munoz

For me, it's common sense to treat other people like you would like to be treated. Empathy is a broad concept, but how do you get there? People get there differently. I get there by truly building a little trust and connection. You'll tell me something, I'll act on it, and then that builds on itself.
I was in high school after 9/11 happened. I didn't get bullied. I didn't get treated differently, but I definitely felt people looked at me differently.
The more you get into any religion, it becomes the same. It really becomes how you treat other people and how you get outside yourself. How you look to help other people, and how you get out of this 'I, me, mine' type of thing.
When you get to really involve yourself with a piece and the other people, and you get to feel like it's a community and you're all building something together, it helps me to produce better work, I think.
I think a lot of people, even if you're not Asian, you go to your place of origin where your family comes from, and you get this sense of, 'Wow - people look like me and talk like me and treat me like their son in the stores and like a cousin in the restaurants.'
I don't know how to put this, but to some people, the NFL is basically modern-day slavery. Don't get me wrong - we get paid a lot of money. There's a sense of 'shut up and play,' that this is entertainment for other people. Then, when we go out in public, we're like zoo animals. We're not human beings.
Well, there's no other person like me. Ain't nobody else like me. It's flattering. I don't like to do it too much because I get tired of me. But people ask, so I get to do it every now and then.
To me, making a horror movie is about how you can present similar genre familiarities, but present them a little bit differently. Part of what interests me is the nonchalant realism of it, because you don't get that in the big studio horror movies. I like seeing someone walk around a house and sift through the drawers, and things like that, because that reminds me of what I would do, and of weird personal choices that people would make. That, in contrast to seeing someone get chased with a knife, makes it all the more interesting.
When you've got big sky, big places and less people, people act differently and treat each other differently. It's tangible. It's not just a concept. I grew up in the country and then moved to the city, and there is a tangible difference.
What I don’t like are arrogant people. We’re all equal. I don’t like it when a person assumes to be better. It angers me a little. There are a lot of people like that, but the world keeps turning. I also don’t like lies. I’m very honest. I’m always going to tell the truth. I don’t lie. I treat my friends the way I want to be treated.
I do get a bit of a sense, just from e-mails some people send me, just a little sense of how people in different countries seem to respond differently to certain lines in a song.
I never would have guessed that I would get a job for the way I sound. I would get notes about how I should lose my accent, and part of me thinks, 'How dare you! This is who I am! Millions of people want to sound like me!' But it's sensitive, and I have tried to change it, with little to no success.
I'm glad I get to do characters. It's just like a Polaroid shot of whoever the person is, and to me, anyway, that's kind of what life is like. You get a general sense of somebody, and then we're all good, we get it. We understand each other.
I'll admit it, the grunge trend doesn't really speak to me. I get why other people like it, but it's just not my style. Don't get me wrong, I love layering, but I like it when it is done with a little more polish and sophistication.
With me being in so many pain from when you have a betrayal from your best friend - who was my husband - and the girl got pregnant, I couldn't even get out of bed. The only thing that saved me was my stand-up. I would get on stage and just talk about stuff, and I made people laugh. A lot of women e-mail me and say, 'How do you smile? How do you laugh at something like this?' That's how I do it. I laugh because that's how I get through pain.
When you get to really involve yourself with a piece [script] and the other people and you get to feel like it's a community and you're all building something together, it helps me to produce better work, I think. And there's an exhaustion that happens on a film set - an exhaustion that translates into a relaxation and helps me to live in the moment, in the performance I'm giving and what's happening around me.
I get a lot of people that are thanking me for speaking out about certain issues. I get people telling me, "If you don't like it here, then there's plenty of other countries to go to," which is hilarious to me. I don't take anything personal. A lot of people are blinded by their love for this country.
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