A Quote by Oscar Munoz

I think the hardest thing that, historically, the industry may have relied upon is that we can't control weather, we can't control air traffic control, and use that at the end of the day as an excuse. Things do happen - we know they happen. We don't exactly know when they are going to happen, but we should definitely be prepped.
Terrible things happen all of the time, and they can happen in a second. The best thing is to be prepared to react. If you try to control every little thing, you're going to end up miserable - and you're going to fail.
I can't control what's going to happen in the future. I can't control what's going to happen in five hours. So I'm not really worried about it. I'm just focused on doing what I can at this moment.
Now what kind of an attitude is that, 'These things happen?' They only happen because this whole country is just full of people who, when these things happen, they just say, 'These things happen,' and that's why they happen! We gotta have control of what happens to us.
There's only certain things you can control. I know how hard I work, I know how I take care of myself, and those are the two things I can control. As far as injuries and wear and tear and stuff like that, it's going to happen.
With a brush you have control. The paint goes on the brush and you make the mark. From experience you know exactly what will happen. With the squeegee you lose control.
I can only control what I can control at the end of the day, so some things you just can't allow to take your head the other way, some things happen for a reason.
I think what's surprised me about the music industry is that you never know what's going to happen. I've had to teach myself that, because I love to know everything. I'm quite a control freak when it comes to stuff like that.
I really like writing poetry and lyrics because it's one thing where I give up control. I don't feel like I need to be in control of it. I just sort of let it happen, and then I know when it's done. I know when it's finished.
At the end of the day, you are in control of your own happiness. Life is going to happen whether you overthink it, overstress it or not. Just experience life and be happy along the way. You can't control everything in your life, but you can control your happiness.
I think I just have to control what I can control. I can control myself. I can't control anything else but what I do. I definitely know I can do a better job at that.
I'm going to do all I can, control what I can control and I think one thing I can do beyond just playing the best I can is to start really coaching and leading other people so that I can never walk off the field saying, 'Hey, I did my part but so-and-so didn't,' that can't happen.
I'm simply interested in what is going to happen next. I don't think I can control my life or my writing. Every other writer I know feels he is steering himself, and I don't have that feeling. I don't have that sort of control. I'm simply becoming. I'm startled that I became a writer.
The city breathing, burning, living the life thy had preserved. Ten million lives and more. If something should happen to all that life - how terrible! Nita gulped for control as she remembered Fred's word of just this morning, an eternity ago. And this was what being a wizard was about. Keeping terrible things from happening, even when it hurts. Not just power, or control of what ordinary people couldn't control, or delight in being able to make strange things happen. Those were the side effects - not the reason, the purpose.
That's the great thing about filmmaking: Things happen you don't know are going to happen at the end.
You can't control the things that happen to you, but you can control the way you feel about them.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
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