A Quote by Oscar Peterson
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
Related Quotes
A young tenor player was complaining to me that Coleman Hawkins made him nervous. Man, I told him Hawkins was supposed to make him nervous! Hawkins has been making other sax players nervous for forty years!
We played together for so long and we got to the point where our styles blended together. Even today, sometimes I'll hear our records and I'm not really sure who played what. And we took a bunch of acid together too.
When I heard Coleman Hawkins, I learned to play ballads
When I began listening to saxophones, I was first attracted to Coleman Hawkins
When I began listening to saxophones, I was first attracted to Coleman Hawkins.
The Detroit String Quartet played Brahms last night. Brahms lost.
[Eddie Locke] had a huge impact in my life. He was a great jazz drummer. He was mentored by Papa Joe Jones and he played for many years with Coleman Hawkins and Roy Eldridge and actually got me on a gig with Roy Eldridge when I was 20 that I'll never forget.
I appreciate men like Ben Webster and Coleman Hawkins very much.
It's one of those things that when you hear about the games played by Gordie Howe, you think it's one of those things that's untouchable. He was part of the League for so long. You wouldn't have dreamed of anybody touching that milestone. So when you're beating one of Mr. Hockey's records, it's impressive.
If you're from New York and you're Catholic, you're still Jewish. If you're from Butte Montana and you're Jewish, you're still goyisch. The Air Force is Jewish, the Marine Corps dangerous goyisch. Rye Bread is Jewish, instant potatoes, scary goyisch. Eddie Cantor is goyisch, George Jessel is goyisch-Coleman Hawkins is Jewish.
I am going to spend my time today just thanking the people that played a role in my career, because I truly do believe that I was blessed by a lot of people that paths crossed mine as I went down the road in my career.
Chano Pozo created the role of the conga soloist in the modern band, somewhat th way Coleman Hawkins created the solo tenor sax.
Listen to this, Nimit. Follow Coleman Hawkins' improvised lines very carefully. He is using them to tell us something. Pay very close attention. He is telling us the story of the free spirit that is doing everything it can to escape from within him. That same kind of spirit is inside me, inside you. There-you can hear it, I'm sure: the hot breath, the shivering heart. (Thailand)
The Germans have four violin concertos. The greatest, most uncompromising is Beethoven’s. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart’s jewel, is Mendelssohn’s.
A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.
I hear a lot of influence from me and Timbaland's whole sound in a lot of records of today. But if you have classics like that, then I'm sure you gotta expect that it's gonna influence some people. So, I'm fine with that.
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