A Quote by Oscar Robertson

It's a sad commentary when I have to say that sometimes in our country we are real sensitive to race. — © Oscar Robertson
It's a sad commentary when I have to say that sometimes in our country we are real sensitive to race.
Sometimes we get sad about things and we don't like to tell other people that we are sad about them. We like to keep it a secret. Or sometimes, we are sad but we really don't know why we are sad, so we say we aren't sad but we really are.
The fact is that, once you are the person - and Ms.[Hillary] Clinton is the person who injected this type of commentary [bigot] into this race [2016] - once you inject that type of commentary into this race, you can't then sit back and start complaining about it or have some of your handmaidens in the media complain about it.
I was raised in an atmosphere of 'everything's fine.' But as I got older, I was like, 'Well no, everything's not fine. There is stuff that's sad.' I am a really sensitive person. I think I am too sensitive sometimes.
Let me say, it's - what a commentary it is on American media that you have to go to Russian television in order to get covered as a candidate in this election. It's pretty outrageous. And our media could solve that in a heartbeat if they actually opened it up, you know, but they don't. So I think that's more commentary on the crisis in our media.
It is a sad commentary of our times when our young must seek advice and counsel from 'Dear Abby' instead of going to Mom and Dad.
It's the sad fact of how race still works in our country. We find that over and over again.
Sometimes we are given exactly what we need. The precise people that you need the most come stumbling into your life. Sometimes you don't notice, and this is very sad. Sometimes you lose them again. This is sad too, but not as sad. Because what you have once had together you have forever.
With the advent of this kind of TMZ culture, it sadly seems to have infiltrated the vanguard of film commentary. I see these reviews sometimes where I think, well, you have a right to say whatever you want about my work, and I will listen whether it's good or bad and see if there's something that I might work with, but personal issues don't have a place in film commentary.
From 1865 to 1965, my race, the black race, was one of the most competitive, entrepreneurial, Christian, moral races in our country. We had the highest percentage of entrepreneurs in the country, the highest percentage of marriage in the country.
It is a sad commentary that today we face a choice between having schools that are a monument to our past - or schools that will be the lifeblood of our future. But since that is our choice, let us resolve to choose wisely.
The country has come a long way in race relations, but the pendulum swings so far back. Everyone wants to be so sensitive.
It's a sad commentary on our time - to use a phrase much favored by my late father - that people increasingly celebrate Christmas Day by going to the movies.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
We need to have profound compassion for the people who are dealing with the very real issue of sexual dysfunction in their life, and sexual identity disorders. This is a very real issue. It's not funny, it's sad. Any of you who have members of your family that are in the lifestyle-we have a member of our family that is. This is not funny. It's a very sad life. It's part of Satan, I think, to say this is gay. It's anything but gay.
I know amazing people in fashion who are anything but fake. They are very real and very sensitive. They are happy and sad. They are loyal friends.
The saddest kind of sad is the sad that tries not to be sad. You know, when sad tries to bite its lip and not cry, and smile and say, "No I'm happy for you"? Thats when it's really sad.
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