A Quote by Oscar Wilde
When both a speaker and an audience are confused, the speech is profound.
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If a university official's letter accusing a speaker of having a proclivity to commit speech crimes before she's given the speech - which then leads to Facebook postings demanding that Ann Coulter be hurt, a massive riot and a police-ordered cancellation of the speech - is not hate speech, then there is no such thing as hate speech.
Speakers find joy in public speaking when they realize that a speech is all about the audience, not the speaker. Most speakers are so caught up in their own concerns and so driven to cover certain points or get a certain message across that they can't be bothered to think in more than a perfunctory way about the audience. And the irony is, of course, that there is no hope of getting your message across if that's all the energy you put into the audience. So let go, and give the moment to the audience.
Of the modes of persuasion furnished by the spoken word there are three kinds. The first kind depends on the personal character ofthe speaker; the second on putting the audience into a certain frame of mind; the third on the proof, provided by the words of the speech itself.
When you do a TV show, the cumulative intimacy you develop with the audience through your characters is pretty profound. It may be the most profound storytelling there is, because the character gets to live and roll around in the audience's mind week after week.
Standup is like shorthand. Every bit must be both brief and profound or the audience will lose interest.
As medium for reaching understanding, speech acts serve: a) to establish and renew interpersonal relations, whereby the speaker takes up a relation to something in the world of legitimate social orders; b) to represent states and events, whereby the speaker takes up a relation to something in the world of existing states of affairs; c) to manifest experiences that is, to represent oneself- whereby the speaker takes up a relation to something in the subjective world to which he has privileged access.
If a movie has more characters than an audience can keep track of, the audience will get confused and lose interest in the story.
George Bernard Shaw of England stopped over just long enough to make one speech in Bombay, India, started a war and 100 Indians killed each other. That's what I call good speech-making. The only enthusiasm any of our speakers can rouse is a demand to kill the speaker.
It was a profound saying of Wilhelm Humboldt, that 'Man is man only by means of speech, but in order to invent speech he must be already man.'
I think I can draw both a mainstream audience and an alternative audience to my shows. I also have the ability to disappoint both.
You can have characters that say one thing and do another, and in certain kinds of drama, you can't get away with that because the audience will become confused - or certainly, the commissioners will become confused and tell you to stop doing it!
To suppress free speech is a double wrong. It violates the rights of the hearer as well as those of the speaker.
No speech is ever considered, but only the speaker. It's so much easier to pass judgement on a man than on an idea.
Masochists are people that have pleasure confused with pain. In a world that has television confused with entertainment, doritoes confused with food, and Dan Quayle confused with a national political leader, masochists are clearly less mixed-up than the rest of us.
It is frequently said that speech that is intentionally provocative and therefore invites physical retaliation can be punished or suppressed. Yet, plainly no such general proposition can be sustained. Quite the contrary.... The provocative nature of the communication does not make it any the less expression. Indeed, the whole theory of free expression contemplates that expression will in many circumstances be provocative and arouse hostility. The audience, just as the speaker, has an obligation to maintain physical restraint.
My speech is too fast; my oration confused; love knows no order.
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