A Quote by Oscar Wilde

One must have some sort of occupation nowadays. If I hadn't my debts I shouldn't have anything to think about. — © Oscar Wilde
One must have some sort of occupation nowadays. If I hadn't my debts I shouldn't have anything to think about.
Woe to the man who is always busy - hurried in a turmoil of engagements, from occupation to occupation, and with no seasons interposed of recollection, contemplation and repose! Such a man must inevitably be gross and vulgar, and hard and indelicate - the sort of man with whom no generous spirit would desire to hold intercourse.
Countries that need monies so that they can provide health care and education and shelter to their people shouldn't have to repay debts that we knowingly lent to bad regimes long since gone; and all illegitimate debts - debts lent to these terrible dictators like Saddam Hussein, like Suharto, like Marcos - must also be canceled.
Debt vultures are really the scum at the bottom of the pond. These are guys who buy up the debts of the world's poorest countries on the secondary market. You can go buy debts of a country like Peru, for example, at a real discount. Why? Because people think that the debts won't be repaid.
I think I'm sort of blind to genre. As long as it has a sort of honesty about it, which I think you'll hear in whatever music you respond to, then I think it doesn't need to be called anything particularly.
I don't think it's anything you ever get used to... for many years, I could never sort of put my name in the same sort of category as the word 'famous' or anything like that. And I just found it very uncomfortable... if you get used to it, then something must be wrong.
Debts are nowadays like children begot with pleasure, but brought forth in pain.
Anything that's made by humans is about humans, whether it's about gods or aliens or anything; it's about some sort of expressive nature about us.
You can't see any movie nowadays really without it having some sort of CGI treatment, albeit whether it's a creature or an environment, something like that. To make a point, sort of poetically in that case, but clearly it was a drama and how do you approach it? Well, I think what you're supposed to do is what the text dictates. What you bring to it and everything you need to know should be there, and pay attention to your director.
I never remember having a plan. All I could think about was how I was going to afford to get into college or where I was going to stay because I hated being at home. I didn't really have time to think about anything in the future. I didn't think about a career or anything. I went to uni, got a couple of jobs, so I sort of funded it myself.
To me, what I define as defiance, in some ways, is knowing the "reality" and having the ability to possess a realist mindstate yet still working towards the fantasy and still being childish. While still having the understanding and capacity that would generally inspire pessimism: some sort of more realist perspective that I think most people classify as adult. Anything like that and anything that's sort of fun.
The earth belongs to the living. No man can, by natural right, oblige the lands he occupied or the persons who succeed him in that occupation, to the payment of debts contracted by him. For if he could, he might, during his own life, eat up the use of the lands for several generations to come, and then the lands would belong to the dead, and not to the living. No generation can contract debts greater than may be paid during the course of its own existence.
People say to me, 'Oh, being a mother must make you a better actor,' and I think, 'Well, I never sleep, I have very little time to think about anything except when I'm actually there.' I wonder whether that makes me a better actor. I think it must on some level.
Today the logic goes something like this: 'Calling a ruler Son of God is out of style. No one really does that nowadays. We can support a president while also worshiping Jesus as the Son of God.' But how is this possible? For one says that we must love our enemies, and the other says we must kill them; one promotes the economics of competition, while the other admonishes the forgiveness of debts. To which do we pledge allegiance?
I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.
In terms of the idea of long-term occupation - I have been reading a little bit more about this period - and you can see in that occupation are many lessons for the current occupation of Iraq. So we have these connections that go way back that people aren't aware of.
I never think about anything in my brain. I think in very small repetitive circles inside my own brain. That's why I'm a writer. It's the only way I get any sort of conclusion or understanding about anything.
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