A Quote by Oscar Wilde
The English public takes no interest in a work of art until it is told that the work in question is immoral.
Related Quotes
The Work is four questions and a turnaround. The Work is a way to identify and question the thoughts that cause all the suffering and violence in the world. The Work is a very, very simple process. It's for anyone who can answer a question that is willing to. It takes a bit of willingness and an open mind.
So is the English Parliament provincial. Mere country bumpkins, they betray themselves, when any more important question arises for them to settle, the Irish question, for instance,--the English question why did I not say? Their natures are subdued to what they work in. Their "good breeding" respects only secondary objects.
I didn't know Michael Heizer until I was preparing for my "Earthworks" show in 1968, and somebody called and told me to look at his work. Heizer had already made land art before any of the others and was deeply into it. But he was very young and working out West, so I wasn't aware of his work until he came and showed it to me.
I work with digital audio, which is like sculpting, a form of chiseling down metal or wood. And I take audio and move it back and forth between the analog and digital realms and work with it almost like a plastic art until it takes forms in different shapes. And I use those figurines that come out of that type of work.
When you deal with a film that takes place in Europe, and you're going to work in English, you'd better work with European actors.
The definition of public art to me means everything and means nothing because for me, all art is public. Art has to be public by definition and in a way It has to be accessible to any audience not just a work in a museum or an art gallery.
The art is more important than the artist. The work is more important than the person who does it. You must be prepared to sacrifice all the you could possibly have, be, or do; you must be willing to go all the way for your art. If it is a question between choosing between your life and a work of art -- any work of art -- your decision is made for you.
You can't really appreciate a work of art until you can understand how difficult it was to create. And that's probably true of any work of art - a rock, a tree, a bird, a fish, a sunrise made of light and air.
A work of art does not need an explanation. The work has to speak for itself. The work may be subject to many interpretations, but only one was in the mind of the artist. Some artists say to make the work readable for the public is an artist’s responsibility, but I don’t agree with that. The only responsibility to be absolutely truthful to the self. My work disturbs people and nobody wants to be disturbed They are not fully aware of the effect my work has on them, but they know it is disturbing.
Although I do not care for the slogan "art for art's sake", there can be no question that what makes a work of fiction safe from larvae and rust is not its social importance but its art, only its art.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
My art takes birth when my loneliness becomes my companion... when I take lives and deaths much personally and work when others play. When I meet myself and find that the truth of life is not the dream of tender age ... but the fire within me that creates the work of art.
For a long time, I'd work until 10 or 11. When I work, I'm on. I'm 'Magic.' I love it, but it takes a lot out of me.
My doctor told me I shouldn't work out until I'm in better shape. I told him, 'All right; don't send me a bill until I pay you.'
I developed an interest in supporting independent journalists in a way that leverages their work to the greatest extent possible, all in support of the public interest.
I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.
Related Authors
Alexander Pope Quotes
English
Poet
Emily Dickinson Quotes
American
Poet
George Herbert Quotes
British
Poet
Henry Wadsworth Longfellow Quotes
American
Poet
Homer Quotes
Greek
Poet
Horace Quotes
Roman
Poet
John Milton Quotes
English
Poet
Khalil Gibran Quotes
Lebanese
Poet
Lord Byron Quotes
British
Poet
Maya Angelou Quotes
American
Poet
Ovid Quotes
Roman
Poet
Samuel Taylor Coleridge Quotes
English
Poet
T. S. Eliot Quotes
American
Poet
Walt Whitman Quotes
American
Poet
William Butler Yeats Quotes
Irish
Poet