Growing up, I was always quite shy and I was quite scared of having an opinion on things, so I just wouldn't say anything.
What’s the use of remembering anything? If it was unpleasant it was unpleasant and if it was pleasant it’s over.
On every film I do, whenever there are other girls my age, I think it's definitely up to me to set the pace. That's because I've had a lot of experience and I think there's always a certain amount of professionalism that should be maintained. If I was catty or whatever, it would just make the whole shoot unpleasant. And what's the point of that?
My style as a human being is to indulge people who need to escape, yet I insist on confronting them as a playwright. It's quite embarrassing, it's quite unpleasant, it's quite awkward.
I feel that everyone who wants to say anything, do anything, should be able to say anything or do anything, within the limits of not hurting another person.
I always like to say our shows should be something that, you know, before 10 o'clock, if your kid wanders into the room, they should be able to glance at the TV, watch what's happening, but not quite know what's happening. That's always my standard.
Whenever I've done anything where I feel like, 'Oh, it would be smart to do that,' it's always been a mistake. Whenever I do the 'Oh, it would be fun to do that,' it's always paid dividends.
The industry is quite chauvinistic generally. Expectations of women, girls, what they should look like, how they should be, what they should say, what they should wear, how their hair should be, what colour their skin should be.
Whenever you do anything or say anything, you're opening yourself up to criticism. But that's okay.
In elementary school, we all say, 'If you don't have anything nice to say, then don't say anything at all.' In high school, we should say, 'If you don't have anything nice to say, shut your mouth.' So that's what I'm telling high schools all around the world.
Certainly in the second film [Maigret's Dead Man], which is quite a more unpleasant and darker story, it's quite different in tone and feel.
It ought not to be unpleasant to say that which one honestly believes or disbelieves. That it so constantly is painful to do so, is quite enough obstacle to the progress of mankind in that most valuable of all qualities, honesty of word or of deed.
The case is I talk for a living, so I should be able to say anything I want to say regardless of how you feel. What we're starting to deal with now is your opinion matters, but to be quite honest, your opinion means nothing.
If indeed you must be candid, be candid beautifully.
It should be quite clear that it is possible for unpleasant people who are small in various ways other than in their artistic genius to produce great art. Art and morality have no necessary connection.
The kids are Job One. So, to be quite candid, if they need me, I do my utmost to make sure I'm there.