A Quote by Oscar Wilde
Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.
Related Quotes
Illusions are shadows moving endlessly across the ground. The shadows are quite real but they're shadows. They have very little substance.
Light is important to us humans. It influences our moods, our perceptions, our energy levels. A face glimpsed among trees, dappled by the shadows and the green-tinged light reflected from the forest, will seem quite different to the same face seen on a beach in hard, dry, sunlight, or in a darkening room at twilight, with the shadows of a venetian blind striped across it like a convict’s uniform.
Now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion.
The spirit of the place is a strange thing. Our mechanical age tries to override it. But it does not succeed. In the end the strange, sinister spirit of the place, so diverse and adverse in differing places, will smash our mechanical oneness into smithereens.
Divide in yourself the mechanical from the conscious, see how little there is of the conscious, how seldom it works, and how strong is the mechanical - mechanical attitudes, mechanical intentions, mechanical thoughts, mechanical desires.
Most people don't live aware lives. They live mechanical lives, mechanical thoughts - generally somebody else's - mechanical emotions, mechanical actions, mechanical reactions.
I raced because I was paid to do a job and I felt like I had to do the job. Number two: I raced because I loved the process, I loved training, getting ready for the race, I loved all of that. And number three I raced for my memories. Regardless of what somebody wants to give or take away, you can't take my memories.
At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.
Many things are mechanical and should remain mechanical. But mechanical thoughts, mechanical feelings—that is what has to be studied and can and should be changed. Mechanical thinking is not worth a penny. You can think about many things mechanically, but you will get nothing from it.
What I can say is I think [Miley Cyrus] a fantastic artist. She's got a fantastic voice. I made a comment in the past that I really regret making because I never like being mean.
I raced a lot when I was in high school, street raced.
I always choose strong, direct backlighting that creates patterns of intricate abstract shadows. These shadows become strong design elements that lie across and touch other objects in the set up.
I was driving across Georgia with a warlord and his bodyguards riding shotgun with their Kalashnikovs in a convoy of Mercedes and Land Rovers. The guy put on Pink Floyd's 'Dark Side of the Moon' on a cassette, which they played on loudspeakers as we raced across the mountains, and I remember thinking, 'This sure beats respectable life in England.'
I raced motocross; I raced for Suzuki when I was a kid.
Fantastic shadows of birds
The years I raced in were fantastic. There was so much change in the cars. We went from treaded tyres to no wings right through to slicks to enormous wings.
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