A Quote by Oscar Wilde

The poet is the supreme artist, for he is the master of colour and of form, and the real musician besides, and is lord over all life and all arts. — © Oscar Wilde
The poet is the supreme artist, for he is the master of colour and of form, and the real musician besides, and is lord over all life and all arts.
A bonafide spiritual master is non-different from Supreme Personality of Godhead. If one cannot say that the spiritual master is the personal manifestation of the Supreme Personality of Godhead, one will not be able to utter the holy name of the Lord.
First birth is from your parents, but real birth, real life, begins when one accepts a bona fide spiritual master and renders service unto him. Then the path is open for going back to home, back to Godhead, to live eternally in full knowledge and full bliss and in association with the Supreme Personality of Godhead Himself, Lord Krishna.
If you truly have expertise - and expertise can be say a chess master who has really mastered something or an artist or a musician of some sort you know if you give a jazz musician.
This new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.
If you have used colour throughout most of your artistic life, try just black and white... it will take your painting to another dimension where tone and form in all its permutations reign supreme.
The eye and soul are caressed in the contemplation of form and colour. The subtle changes of colour over a surface - transitions that are like music - are intangible in their reaction upon us. There is an immediate sensuous appeal!
The great artist, whether he be musician, painter, or poet, is known for this absolute unexpectedness.
The poet's perspective of life, the musician's sense of harmony, the artist's eye of proportion and relationships ~ these are all shared by healers, especially the herbal healer who works with plants, which are the pure creative expression of nature and the healing process.
Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.
Our first duty is to satisfy the spiritual master, who can arrange for the Lord's mercy. A common man must first begin to serve the spiritual master or the devotee. Then, through the mercy of the devotee, the Lord will be satisfied. Unless one receives the dust of a devotee's lotus feet on one's head, there is no possibility of advancement. Unless one approaches a pure devotee, he cannot understand the Supreme Personality of Godhead.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Lord Shiva is seated deep in everyone’s heart. He is Nirguna (One who is without form or its attributes). He is Nirakaar (Has no shape or form), and He is the Para-Brahman (Supreme transcendental Consciousness) that is all pervading. Believe in this. This is Rudra Puja
I dream of a collaboration that will become so complete that, often, the poet will think as musician and the musician as poet, so that the work resulting from this union will not be the random conclusion of a series of approximations and concessions, but the harmonious synthesis of two aspects of the same thought.
Someone who is incapable of drawing, and cannot master line or colour perspective can always express themselves in some form of abstraction.
Both of my parents were incredibly supportive of me being in any arts, because they were both in the arts. They weren't the typical story of, "Oh, get a real job. You need to make money." They basically said, "Yup, be an artist. You'll be broke your whole life but you'll be happy."
Pretty much every artist in Scotland - musician, writer, poet, actor - they're all part of a thing called the National Collective.
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