A Quote by Oscar Wilde

As one knows the poet by his fine music, so one can recognize the liar by his rich rhythmic utterance, and in neither case will the casual inspiration of the moment suffice. Here, as elsewhere, practice must precede perfection.
The poet is never inspired, because he is the master of that which appears to others as inspiration. He does not wait for inspiration to fall out of the heavens like roasted ortolans. He knows how to hunt...He is never inspired because he is unceasingly inspired, because the powers of poetry are always at his disposition, subjected to his will, submissive to his own activity.
The American feels too rich in his opportunities for free expression that he often no longer knows what he is free from. Neither does he know where he is not free; he does not recognize his native autocrats when he sees them.
The genius of a composer is found in the notes of his music; but analyzing the notes will not reveal his genius. The poet's greatness is contained in his words; yet the study of his words will not disclose his inspiration. God reveals himself in creation; but scrutinize creation as minutely as you wish, you will not find God, any more than you will find the soul through careful examination of your body.
Richard Lee calculated that a Bushman child will be carried a distance of 4,900 miles before he begins to walk on his own. Since, during this rhythmic phase, he will be forever naming the contents of his territory, it is impossible he will not become a poet.
In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.
He knows I'm brutal. He's knows I can punch hard. He knows if I connect on his chin, at any one moment, 12 three minute rounds, he's going to be in serious trouble. If he's not on the floor, his legs will do a funny dance.
He who knows things, and in fighting puts his knowledge into practice, will win his battles. He who knows them not, nor practices them, will surely be defeated.
Let the poet dream his dreams. Yet, the poet must look at the world; must enter into other men's lives; must look at the earth and the sky, must examine the dust in the street; must walk through the world and his mirror.
The laws recognize no obligation on the part of the slave to labor for or serve his master. If he refuse to labor, the law will not interfere to compel him. The master must do his own flogging, as in the case of an ox or a horse.
He who, in an enlightened and literary society, aspires to be a great poet, must first become a little child. He must take to pieces the whole web of his mind. He must unlearn much of that knowledge which has perhaps constituted hitherto his chief title to superiority. His very talents will be a hindrance to him.
A poet's soul must contain the perfect shape of all things good, wise and just. His body must be spotless and without blemish, his life pure, his thoughts high, his studies intense.
Man's salvation and perfection consists of doing the will of God which he must have in view in all things, and at every moment of his life.
[Perfection] is only possible if the mind of man is changed, if he, of his own sweet will, changes his mind; and the great difficulty is, neither can he force his own mind.
Anyone telling about his travels must be a liar, . . . for if a traveler doesn't visit his narrative with the spirit and techniques of fiction, no one will want to hear it.
It took the mob only a moment to remove his head; a century will not suffice to reproduce it.
The poet is no tender slip of fairy stock, who requires peculiar institutions and edicts for his defense, but the toughest son ofearth and of Heaven, and by his greater strength and endurance his fainting companions will recognize the God in him. It is the worshipers of beauty, after all, who have done the real pioneer work of the world.
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