A Quote by Oscar Wilde

George Moore wrote brilliant English until he discovered grammar. — © Oscar Wilde
George Moore wrote brilliant English until he discovered grammar.
George Moore unexpectedly pinched my behind. I felt rather honored that my behind should have drawn the attention of the great master of English prose.
[On writer George Moore:] ... I grew curious about Moore. Yet when at the rehearsal of 'Countess Cathleen' in some dark by-way of London, I was told he was present, I cannot recall any form, only an irritation in the dusty atmosphere.
I remember one English teacher in the eighth grade, Florence Schrack, whose husband also taught at the high school. I thought what she said made sense, and she parsed sentences on the blackboard and gave me, I'd like to think, some sense of English grammar and that there is a grammar, that those commas serve a purpose and that a sentence has a logic, that you can break it down. I've tried not to forget those lessons, and to treat the English language with respect as a kind of intricate tool.
My father was a very special human being. He was brilliant in academics, sports and the arts. He wrote, performed and directed plays in English and Hindi/Urdu at his regiment.
This African American Vernacular English shares most of its grammar and vocabulary with other dialects of English. But it is distinct in many ways, and it is more different from standard English than any other dialect spoken in continental North America.
I love George Clooney; I think George is brilliant.
No one complains of the rules of Grammar as fettering Language; because it is understood that correct use is not founded on Grammar, but Grammar on correct use. A just system of Logic or of Rhetoric is analogous, in this respect, to Grammar.
Historical grammar is a study of how, say, modern English developed from Middle English, and how that developed from Early and Old English, and how that developed from Germanic, and that developed from what's called Proto-Indo-European, a source system that nobody speaks, so you have to try to reconstruct it.
George Moore leads his readers to the latrine and locks them in.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
Saint George he was for England, And before he killed the dragon he drank a pint of English ale out of an English flagon.
english doesn't borrow from other languages. english follows other languages down dark alleys, knocks them over and goes through their pockets for loose grammar.
I believe that every English poet should read the English classics, master the rules of grammar before he attempts to bend or break them, travel abroad, experience the horrors of sordid passion, and - if he is lucky enough - know the love of an honest woman.
That's what George wrote! He wrote it. Why change it? There was this European company that I was speaking about awhile ago - course, didn't nobody know what Porgy was.
Quite naturally, scholars assumed that Latin grammar was not merely Latin grammar, but that it was grammar itself. They borrowed it and made the most of it.
in my skimmings over fiction I cannot recall any writer so continuously implicated in his own work as George Moore.
This site uses cookies to ensure you get the best experience. More info...
Got it!